Between one and two o'clock, the next afternoon, Benjulia (at work in his laboratory) heard the bell which announced the arrival of a visitor at the house. No matter what the circumstances might be, the servants were forbidden to disturb him at his studies in any other way.

Very unwillingly he obeyed the call, locking the door behind him. At that hour it was luncheon-time in well-regulated households, and it was in the last degree unlikely that Mrs. Gallilee could be the visitor. Getting within view of the front of the house, he saw a man standing on the doorstep. Advancing a little nearer, he recognised Lemuel.

"Hullo!" cried the elder brother.

"Hullo!" answered the younger, like an echo.

They stood looking at each other with the suspicious curiosity of two strange cats. Between Nathan Benjulia, the famous doctor, and Lemuel Benjulia, the publisher's clerk, there was just family resemblance enough to suggest that they were relations. The younger brother was only a little over the ordinary height; he was rather fat than thin; he wore a moustache and whiskers; he dressed smartly--and his prevailing expression announced that he was thoroughly well satisfied with himself. But he inherited Benjulia's gipsy complexion; and, in form and colour, he had Benjulia's eyes.

"How-d'ye-do, Nathan?" he said.

"What the devil brings you here?" was the answer.

Lemuel passed over his brother's rudeness without notice. His mouth curled up at the corners with a mischievous smile.

"I thought you wished to see my letter," he said.

"Why couldn't you send it by post?"

"My wife wished me to take the opportunity of calling on you."

"That's a lie," said Benjulia quietly. "Try another excuse. Or do a new thing. For once, speak the truth."

Without waiting to hear the truth, he led the way into the room in which he had received Ovid. Lemuel followed, still showing no outward appearance of resentment.

"How did you get away from your office?" Benjulia inquired.

"It's easy to get a holiday at this time of year. Business is slack, old boy--"

"Stop! I don't allow you to speak to me in that way."

"No offence, brother Nathan!"

"Brother Lemuel, I never allow a fool to offend me. I put him in his place--that's all."

The distant barking of a dog became audible from the lane by which the house was approached. The sound seemed to annoy Benjulia. "What's that?" he asked.

Lemuel saw his way to making some return for his brother's reception of him.

"It's my dog," he said; "and it's lucky for you that I have left him in the cab."

"Why?"

"Well, he's as sweet-tempered a dog as ever lived. But he has one fault. He doesn't take kindly to scientific gentlemen in your line of business." Lemuel paused, and pointed to his brother's hands. "If he smelt that, he might try his teeth at vivisecting You."

The spots of blood which Ovid had once seen on Benjulia's stick, were on his hands now. With unruffled composure he looked at the horrid stains, silently telling their tale of torture.

"What's the use of washing my hands," he answered, "when I am going back to my work?"

He wiped his finger and thumb on the tail of his coat. "Now," he resumed, "if you have got your letter with you, let me look at it."

Lemuel produced the letter. "There are some bits in it," he explained, "which you had better not see. If you want the truth--that's the reason I brought it myself. Read the first page-and then I'll tell you where to skip."

So far, there was no allusion to Ovid. Benjulia turned to the second page--and Lemuel pointed to the middle of it. "Read as far as that," he went on, "and then skip till you come to the last bit at the end."

On the last page, Ovid's name appeared. He was mentioned, as a "delightful person, introduced by your brother,"--and with that the letter ended. In the first bitterness of his disappointment, Benjulia conceived an angry suspicion of those portions of the letter which he had been requested to pass over unread.

"What has Morphew got to say to you that I mustn't read?" he asked.

"Suppose you tell me first, what you want to find in the letter," Lemuel rejoined. "Morphew is a doctor like you. Is it anything medical?"

Benjulia answered this in the easiest way--he nodded his head.

"Is it Vivisection?" Lemuel inquired slyly.

Benjulia at once handed the letter back, and pointed to the door. His momentary interest in the suppressed passages was at an end. "That will do," he answered. "Take yourself and your letter away."

"Ah," said Lemuel, "I'm glad you don't want to look at it again!" He put the letter away, and buttoned his coat, and tapped his pocket significantly. "You have got a nasty temper, Nathan--and there are things here that might try it."

In the case of any other man, Benjulia would have seen that the one object of these prudent remarks was to irritate him. Misled by his profound conviction of his brother's stupidity, he now thought it possible that the concealed portions of the letter might be worth notice. He stopped Lemuel at the door. "I've changed my mind," he said; "I want to look at the letter again."

"You had better not," Lemuel persisted. "Morphew's going to write a book against you--and he asks me to get it published at our place. I'm on his side, you know; I shall do my best to help him; I can lay my hand on literary fellows who will lick his style into shape--it will be an awful exposure!" Benjulia still held out his hand. With over-acted reluctance, Lemuel unbuttoned his coat. The distant dog barked again as he gave the letter back. "Please excuse my dear old dog," he said with maudlin tenderness; "the poor dumb animal seems to know that I'm taking his side in the controversy. Bow-wow means, in his language, Fie upon the cruel hands that bore holes in our head and use saws on our backs. Ah, Nathan, if you have got any dogs in that horrid place of yours, pat them and give them their dinner! You never heard me talk like this before--did you? I'm a new man since I joined the Society for suppressing you. Oh, if I only had the gift of writing!"

The effect of this experiment on his brother's temper, failed to fulfil Lemuel's expectations. The doctor's curiosity was roused on the doctor's own subject of inquiry.

"You're quite right about one thing," said Benjulia gravely; "I never heard you talk in this way before. You suggest some interesting considerations, of the medical sort. Come to the light." He led Lemuel to the window--looked at him with the closest attention--and carefully consulted his pulse. Lemuel smiled. "I'm not joking," said Benjulia sternly. "Tell me this. Have you had headaches lately? Do you find your memory failing you?"

As he put those questions, he thought to himself--seriously thought-- "Is this fellow's brain softening? I wish I had him on my table!"

Lemuel persisted in presenting himself under a sentimental aspect. He had not forgiven his elder brother's rudeness yet--and he knew, by experience, the one weakness in Benjulia's character which, with his small resources, it was possible to attack.

"Thank you for your kind inquiries," he replied. "Never mind my head, so long as my heart's in the right place. I don't pretend to be clever--but I've got my feelings; and I could put some awkward questions on what you call Medical Research, if I had Morphew to help me."

"I'll help you," said Benjulia--interested in developing the state of his brother's brain.

"I don't believe you," said Lemuel--interested in developing the state of his brother's temper.

"Try me, Lemuel."

"All right, Nathan."

The two brothers returned to their chairs; reduced for once to the same moral level.

"Now," said Benjulia, "what is it to be? The favourite public bugbear? Vivisection?"

"Yes."

"Very well. What can I do for you?"

"Tell me first," said Lemuel, "what is Law?"

"Nobody knows."

"Well, then, what ought it to be?"

"Justice, I suppose."

"Let me wait a bit, Nathan, and get that into my mind."

Benjulia waited with exemplary patience.

"Now about yourself," Lemuel continued. "You won't be offended--will you? Should I be right, if I called you a dissector of living creatures?"

Benjulia was reminded of the day when he had discovered his brother in the laboratory. His dark complexion deepened in hue. His cold gray eyes seemed to promise a coming outbreak. Lemuel went on.

"Does the Law forbid you to make your experiments on a man?" he asked.

"Of course it does!"

"Why doesn't the Law forbid you to make your experiments on a dog?"

Benjulia's face cleared again. The one penetrable point in his ironclad nature had not been reached yet. That apparently childish question about the dog appeared, not only to have interested him, but to have taken him by surprise. His attention wandered away from his brother. His clear intellect put Lemuel's objection in closer logical form, and asked if there was any answer to it, thus:

The Law which forbids you to dissect a living man, allows you to dissect a living dog. Why?

There was positively no answer to this.

Suppose he said, Because a dog is an animal? Could he, as a physiologist, deny that a man is an animal too?

Suppose he said, Because a dog is the inferior creature in intellect? The obvious answer to this would be, But the lower order of savage, or the lower order of lunatic, compared with the dog, is the inferior creature in intellect; and, in these cases, the dog has, on your own showing, the better right to protection of the two.

Suppose he said, Because a man is a creature with a soul, and a dog is a creature without a soul? This would be simply inviting another unanswerable question: How do you know?

Honestly accepting the dilemma which thus presented itself, the conclusion that followed seemed to be beyond dispute.

If the Law, in the matter of Vivisection, asserts the principle of interference, the Law has barred its right to place arbitrary limits on its own action. If it protects any living creatures, it is bound, in reason and in justice, to protect all.

"Well," said Lemuel, "am I to have an answer?"

"I'm not a lawyer."

With this convenient reply, Benjulia opened Mr. Morphew's letter, and read the forbidden part of it which began on the second page. There he found the very questions with which his brother had puzzled him--followed by the conclusion at which he had himself arrived!

"You interpreted the language of your dog just now," he said quietly to Lemuel; "and I naturally supposed your brain might be softening. Such as it is, I perceive that your memory is in working order. Accept my excuses for feeling your pulse. You have ceased to be an object of interest to me."

He returned to his reading. Lemuel watched him--still confidently waiting for results.

The letter proceeded in these terms:

"Your employer may perhaps be inclined to publish my work, if I can satisfy him that it will address itself to the general reader.

"We all know what are the false pretences, under which English physiologists practice their cruelties. I want to expose those false pretences in the simplest and plainest way, by appealing to my own experience as an ordinary working member of the medical profession.

"Take the pretence of increasing our knowledge of the curative action of poisons, by trying them on animals. The very poisons, the action of which dogs and cats have been needlessly tortured to demonstrate, I have successfully used on my human patients in the practice of a lifetime.

"I should also like to ask what proof there is that the effect of a poison on an animal may be trusted to inform us, with certainty, of the effect of the same poison on a man. To quote two instances only which justify doubt--and to take birds this time, by way of a change--a pigeon will swallow opium enough to kill a man, and will not be in the least affected by it; and parsley, which is an innocent herb in the stomach of a human being, is deadly poison to a parrot.

"I should deal in the same way, with the other pretence, of improving our practice of surgery by experiment on living animals.

"Not long since, I saw the diseased leg of a dog cut off at the hip joint. When the limb was removed, not a single vessel bled. Try the same operation on a man--and twelve or fifteen vessels must be tied as a matter of absolute necessity.

"Again. We are told by a great authority that the baking of dogs in ovens has led to new discoveries in treating fever. I have always supposed that the heat, in fever, is not a cause of disease, but a consequence. However, let that be, and let us still stick to experience. Has this infernal cruelty produced results which help us to cure scarlet fever? Our bedside practice tells us that scarlet fever runs it course as it always did. I can multiply such examples as these by hundreds when I write my book.

"Briefly stated, you now have the method by which I propose to drag the scientific English Savage from his shelter behind the medical interests of humanity, and to show him in his true character,--as plainly as the scientific Foreign Savage shows himself of his own accord. He doesn't shrink behind false pretences. He doesn't add cant to cruelty. He boldly proclaims the truth:--I do it, because I like it!"

Benjulia rose, and threw the letter on the floor.

"I proclaim the truth," he said; "I do it because I like it. There are some few Englishmen who treat ignorant public opinion with the contempt that it deserves--and I am one of them." He pointed scornfully to the letter. "That wordy old fool is right about the false pretences. Publish his book, and I'll buy a copy of it."

"That's odd," said Lemuel.

"What's odd?"

"Well, Nathan, I'm only a fool--but if you talk in that way of false pretences and public opinion, why do you tell everybody that your horrid cutting and carving is harmless chemistry? And why were you in such a rage when I got into your workshop, and found you out? Answer me that!"

"Let me congratulate you first," said Benjulia. "It isn't every fool who knows that he is a fool. Now you shall have your answer. Before the end of the year, all the world will be welcome to come into my workshop, and see me at the employment of my life. Brother Lemuel, when you stole your way through my unlocked door, you found me travelling on the road to the grandest medical discovery of this century. You stupid ass, do you think I cared about what you could find out? I am in such perpetual terror of being forestalled by my colleagues, that I am not master of myself, even when such eyes as yours look at my work. In a month or two more--perhaps in a week or two--I shall have solved the grand problem. I labour at it all day. I think of it, I dream of it, all night. It will kill me. Strong as I am, it will kill me. What do you say? Am I working myself into my grave, in the medical interests of humanity? That for humanity! I am working for my own satisfaction--for my own pride--for my own unutterable pleasure in beating other men--for the fame that will keep my name living hundreds of years hence. Humanity! I say with my foreign brethren--Knowledge for its own sake, is the one god I worship. Knowledge is its own justification and its own reward. The roaring mob follows us with its cry of Cruelty. We pity their ignorance. Knowledge sanctifies cruelty. The old anatomist stole dead bodies for Knowledge. In that sacred cause, if I could steal a living man without being found out, I would tie him on my table, and grasp my grand discovery in days, instead of months. Where are you going? What? You're afraid to be in the same room with me? A man who can talk as I do, is a man who would stick at nothing? Is that the light in which you lower order of creatures look at us? Look a little higher--and you will see that a man who talks as I do is a man set above you by Knowledge. Exert yourself, and try to understand me. Have I no virtues, even from your point of view? Am I not a good citizen? Don't I pay my debts? Don't I serve my friends? You miserable creature, you have had my money when you wanted it! Look at that letter on the floor. The man mentioned in it is one of those colleagues whom I distrust. I did my duty by him for all that. I gave him the information he wanted; I introduced him to a friend in a land of strangers. Have I no feeling, as you call it? My last experiments on a monkey horrified me. His cries of suffering, his gestures of entreaty, were like the cries and gestures of a child. I would have given the world to put him out of his misery. But I went on. In the glorious cause I went on. My hands turned cold--my heart ached--I thought of a child I sometimes play with--I suffered--I resisted--I went on. All for Knowledge! all for Knowledge!"

His brother's presence was forgotten. His dark face turned livid; his gigantic frame shuddered; his breath came and went in deep sobbing gasps--it was terrible to see him and hear him.

Lemuel slunk out of the room. The jackal had roused the lion; the mean spirit of mischief in him had not bargained for this. "I begin to believe in the devil," he said to himself when he got to the house door.

As he descended the steps, a carriage appeared in the lane. A footman opened the gate of the enclosure. The carriage approached the house, with a lady in it.

Lemuel ran back to his brother. "Here's a lady coming!" he said. "You're in a nice state to see her! Pull yourself together, Nathan--and, damn it, wash your hands!"

He took Benjulia's arm, and led him upstairs.

When Lemuel returned to the hall, Mrs. Gallilee was ascending the house-steps. He bowed profoundly, in homage to the well-preserved remains of a fine woman. "My brother will be with you directly, ma'am. Pray allow me to give you a chair."

His hat was in his hand. Mrs. Gallilee's knowledge of the world easily set him down at his true value. She got rid of him with her best grace. "Pray don't let me detain you, sir; I will wait with pleasure."

If she had been twenty years younger the hint might have been thrown away. As it was, Lemuel retired.

An unusually long day's work at the office had fatigued good Mr. Mool. He pushed aside his papers, and let his weary eyes rest on a glass vase full of flowers on the table--a present from a grateful client. As a man, he enjoyed the lovely colours of the nosegay. As a botanist, he lamented the act which had cut the flowers from their parent stems, and doomed them to a premature death. "I should not have had the heart to do it myself," he thought; "but tastes differ."

The office boy came into the room, with a visiting card in his hand.

"I'm going home to dinner," said Mr. Mool. "The person must call to-morrow."

The boy laid the card on the table. The person was Mrs. Gallilee.

Mrs. Gallilee, at seven o'clock in the evening! Mrs. Gallilee, without a previous appointment by letter! Mr. Mool trembled under the apprehension of some serious family emergency, in imminent need of legal interference. He submitted as a matter of course. "Show the lady in."

Before a word had passed between them, the lawyer's mind was relieved. Mrs. Gallilee shone on him with her sweetest smiles; pressed his hand with her friendliest warmth; admired the nosegay with her readiest enthusiasm. "Quite perfect," she said--"especially the Pansy. The round flat edge, Mr. Mool; the upper petals perfectly uniform--there is a flower that defies criticism! I long to dissect it."

Mr. Mool politely resigned the Pansy to dissection (murderous mutilation, he would have called it, in the case of one of his own flowers), and waited to hear what his learned client might have to say to him.

"I am going to surprise you," Mrs. Gallilee announced. "No--to shock you. No--even that is not strong enough. Let me say, to horrify you."

Mr. Mool's anxieties returned, complicated by confusion. The behaviour of Mrs. Gallilee exhibited the most unaccountable contrast to her language. She showed no sign of those strong emotions to which she had alluded. "How am I to put it?" she went on, with a transparent affectation of embarrassment. "Shall I call it a disgrace to our family?" Mr. Mool started. Mrs. Gallilee entreated him to compose himself; she approached the inevitable disclosure by degrees. "I think," she said, "you have met Doctor Benjulia at my house?"

"I have had that honour, Mrs. Gallilee. Not a very sociable person--if I may venture to say so."

"Downright rude, Mr. Mool, on some occasions. But that doesn't matter now. I have just been visiting the doctor."

Was this visit connected with the "disgrace to the family?" Mr. Mool ventured to put a question.

"Doctor Benjulia is not related to you, ma'am--is he?"

"Not the least in the world. Please don't interrupt me again. I am, so to speak, laying a train of circumstances before you; and I might leave one of them out. When Doctor Benjulia was a young man--I am returning to my train of circumstances, Mr. Mool--he was at Rome, pursuing his professional studies. I have all this, mind, straight from the doctor himself. At Rome, he became acquainted with my late brother, after the period of his unfortunate marriage. Stop! I have failed to put it strongly enough again. I ought to have said, his disgraceful marriage."

"Really, Mrs. Gallilee--"

"Mr. Mool!"

"I beg your pardon, ma'am."

"Don't mention it. The next circumstance is ready in my mind. One of the doctor's fellow-students (described as being personally an irresistible man) was possessed of abilities which even attracted our unsociable Benjulia. They became friends. At the time of which I am now speaking, my brother's disgusting wife--oh, but I repeat it, Mr. Mool! I say again, his disgusting wife--was the mother of a female child."

"Your niece, Mrs. Gallilee."

"No!"

"Not Miss Carmina?"

"Miss Carmina is no more my niece than she is your niece. Carry your mind back to what I have just said. I mentioned a medical student who was an irresistible man. Miss Carmina's father was that man."

Mr. Mool's astonishment and indignation would have instantly expressed themselves, if he had not been a lawyer. As it was, his professional experience warned him of the imprudence of speaking too soon.

Mrs. Galilee's exultation forced its way outwards. Her eyes glittered; her voice rose. "The law, Mr. Mool! what does the law say?" she broke out. "Is my brother's Will no better than waste-paper? Is the money divided among his only near relations? Tell me! tell me!"

Mr. Mool suddenly plunged his face into his vase of flowers. Did he feel that the air of the office wanted purifying? or was he conscious that his face might betray him unless he hid it? Mrs. Galilee was at no loss to set her own clever interpretation on her lawyer's extraordinary proceeding.

"Take your time," she said with the most patronising kindness. "I know your sensitive nature; I know what I felt myself when this dreadful discovery burst upon me. If you remember, I said I should horrify you. Take your time, my dear sir--pray take your time."

To be encouraged in this way--as if he was the emotional client, and Mrs. Gallilee the impassive lawyer--was more than even Mr. Mool could endure. Shy men are, in the innermost depths of their nature, proud men: the lawyer had his professional pride. He came out of his flowery retreat, with a steady countenance. For the first time in his life, he was not afraid of Mrs. Galilee.

"Before we enter on the legal aspect of the case--" he began.

"The shocking case," Mrs. Gallilee interposed, in the interests of Virtue.

Under any other circumstances Mr. Mool would have accepted the correction. He actually took no notice of it now! "There is one point," he proceeded, "on which I must beg you to enlighten me."

"By all means! I am ready to go into any details, no matter how disgusting they may be."

Mr. Mool thought of certain "ladies" (objects of perfectly needless respect among men) who, being requested to leave the Court, at unmentionable Trials, persist in keeping their places. It was a relief to him to feel--if his next questions did nothing else--that they would disappoint Mrs. Galilee.

"Am I right in supposing that you believe what you have told me?" he resumed.

"Most assuredly!"

"Is Doctor Benjulia the only person who has spoken to you on the subject?"

"The only person."

"His information being derived from his friend--the fellow-student whom you mentioned just now?"

"In other words," Mrs. Gallilee answered viciously, "the father of the wretched girl who has been foisted on my care."

If Mr. Mool's courage had been in danger of failing him, he would have found it again now His regard for Carmina, his respect for the memory of her mother, had been wounded to the quick. Strong on his own legal ground, he proceeded as if he was examining a witness in a police court.

"I suppose the doctor had some reason for believing what his friend told him?"

"Ample reason! Vice and poverty generally go together--this man was poor. He showed Doctor Benjulia money received from his mistress--her husband's money, it is needless to say."

"Her motive might be innocent, Mrs. Gallilee. Had the man any letters of hers to show?"

"Letters? From a woman in her position? It's notorious, Mr. Mool, that Italian models don't know how to read or write."

"May I ask if there are any further proofs?"

"You have had proofs enough."

"With all possible respect, ma'am, I deny that."

Mrs. Gallilee had not been asked to enter into disgusting details. Mrs. Gallilee had been contradicted by her obedient humble servant of other days. She thought it high time to bring the examination to an end.

"If you are determined to believe in the woman's innocence," she said, "without knowing any of the circumstances--"

Mr. Mool went on from bad to worse: he interrupted her now.

"Excuse me, Mrs. Gallilee, I think you have forgotten that one of my autumn holidays, many years since, was spent in Italy. I was in Rome, like Doctor Benjulia, after your brother's marriage. His wife was, to my certain knowledge, received in society. Her reputation was unblemished; and her husband was devoted to her."

"In plain English," said Mrs. Gallilee, "my brother was a poor weak creature--and his wife, when you knew her, had not been found out."

"That is just the difficulty I feel," Mr. Mool rejoined. "How is it that she is only found out now? Years have passed since she died. More years have passed since this attack on her character reached Doctor Benjulia's knowledge. He is an old friend of yours. Why has he only told you of it to-day? I hope I don't offend you by asking these questions?"

"Oh, dear, no! your questions are so easily answered. I never encouraged the doctor to speak of my brother and his wife. The subject was too distasteful to me--and I don't doubt that Doctor Benjulia felt about it as I did."

"Until to-day," the lawyer remarked; "Doctor Benjulia appears to have been quite ready to mention the subject to-day."

"Under special circumstances, Mr. Mool. Perhaps, you will not allow that special circumstances make any difference?"

On the contrary, Mr. Mool made every allowance. At the same time, he waited to hear what the circumstances might be.

But Mrs. Galilee had her reasons for keeping silence. It was impossible to mention Benjulia's reception of her without inflicting a wound on her self-esteem. To begin with, he had kept the door of the room open, and had remained standing. "Have you got Ovid's letters? Leave them here; I'm not fit to look at them now." Those were his first words. There was nothing in the letters which a friend might not read: she accordingly consented to leave them. The doctor had expressed his sense of obligation by bidding her get into her carriage again, and go. "I have been put in a passion; I have made a fool of myself; I haven't a nerve in my body that isn't quivering with rage. Go! go! go!" There was his explanation. Impenetrably obstinate, Mrs. Galilee faced him--standing between the doctor and the door--without shrinking. She had not driven all the way to Benjulia's house to be sent back again without gaining her object: she had her questions to put to him, and she persisted in pressing them as only a woman can. He was left--with the education of a gentleman against him--between the two vulgar alternatives of turning her out by main force, or of yielding, and getting rid of her decently in that way. At any other time, he would have flatly refused to lower himself to the level of a scandal-mongering woman, by entering on the subject. In his present mood, if pacifying Mrs. Galilee, and ridding himself of Mrs. Gallilee, meant one and the same thing, he was ready, recklessly ready, to let her have her own way. She heard the infamous story, which she had repeated to her lawyer; and she had Lemuel Benjulia's visit, and Mr. Morphew's contemplated attack on Vivisection, to thank for getting her information.

Mr. Mool waited, and waited in vain. He reminded his client of what she had just said.

"You mentioned certain circumstances. May I know what they are?" he asked.

Mrs. Gallilee rose, before she replied.

"Your time is valuable, and my time is valuable," she said. "We shall not convince each other by prolonging our conversation. I came here, Mr. Mool, to ask you a question about the law. Permit me to remind you that I have not had my answer yet. My own impression is that the girl now in my house, not being my brother's child, has no claim on my brother's property? Tell me in two words, if you please--am I right or wrong?"

"I can do it in one word, Mrs. Gallilee. Wrong."

"What!"

Mr. Mool entered on the necessary explanation, triumphing in the reply that he had just made. "It's the smartest thing," he thought, "I ever said in my life."

"While husbands and wives live together," he continued, "the Law holds that all children, born in wedlock, are the husband's children. Even if Miss Carmina's mother had not been as good and innocent a woman as ever drew the breath of life--"

"That will do, Mr. Mool. You really mean to say that this girl's interest in my brother's Will--"

"Remains quite unaffected, ma'am, by all that you have told me."

"And I am still obliged to keep her under my care?"

"Or," Mr. Mool answered, "to resign the office of guardian, in favour of Lady Northlake--appointed to act, in your place."

"I won't trouble you any further, sir. Good-evening!"

She turned to leave the office. Mr. Mool actually tried to stop her.

"One word more, Mrs. Galilee."

"No; we have said enough already."

Mr. Mool's audacity arrived at its climax. He put his hand on the lock of the office door, and held it shut.

"The young lady, Mrs. Gallilee! I am sure you will never breathe a word of this to the pretty gentle, young lady? Even if it was true; and, as God is my witness, I am sure it's false--"

"Good-evening, Mr. Mool!"

He opened the door, and let her go; her looks and tones told him that remonstrance was worse than useless. From year's end to year's end, this modest and amiable man had never been heard to swear. He swore now. "Damn Doctor Benjulia!" he burst out, in the solitude of his office. His dinner was waiting for him at home. Instead of putting on his hat, he went back to his writing-table. His thoughts projected themselves into the future--and discovered possibilities from which they recoiled. He took up his pen, and began a letter. "To John Gallilee, Esquire: Dear Sir,--Circumstances have occurred, which I am not at liberty to mention, but which make it necessary for me, in justice to my own views and feelings, to withdraw from the position of legal adviser to yourself and family." He paused and considered with himself. "No," he decided; "I may be of some use to that poor child, while I am the family lawyer." He tore up his unfinished letter.

When Mr. Mool got home that night, it was noticed that he had a poor appetite for his dinner. On the other hand, he drank more wine than usual.

"I don't know what is the matter with me. Sometimes I think I am going to be really ill."

It was the day after Mrs. Gallilee's interview with her lawyer--and this was Carmina's answer, when the governess entered her room, after the lessons of the morning, and asked if she felt better.

"Are you still taking medicine?" Miss Minerva inquired.

"Yes. Mr. Null says it's a tonic, and it's sure to do me good. It doesn't seem to have begun yet. I feel so dreadfully weak, Frances. The least thing makes me cry; and I put off doing what I ought to do, and want to do, without knowing why. You remember what I told you about Teresa? She may be with us in a few days more, for all I know to the contrary. I must find a nice lodging for her, poor dear--and here I am, thinking about it instead of doing it."

"Let me do it," Miss Minerva suggested.

Carmina's sad face brightened. "That's kind indeed!" she said.

"Nonsense! I shall take the children out, after dinner to-day. Looking over lodgings will be an amusement to me and to them."

"Where is Zo? Why haven't you brought her with you?"

"She is having her music lesson--and I must go back to keep her in order. About the lodging? A sitting-room and bedroom will be enough, I suppose? In this neighbourhood, I am afraid the terms will be rather high."

"Oh, never mind that! Let us have clean airy rooms--and a kind landlady. Teresa mustn't know it, if the terms are high."

"Will she allow you to pay her expenses?"

"Ah, you put it delicately! My aunt seemed to doubt if Teresa had any money of her own. I forgot, at the time, that my father had left her a little income. She told me so herself, and wondered, poor dear, how she was to spend it all. She mustn't be allowed to spend it all. We will tell her that the terms are half what they may really be--and I will pay the other half. Isn't it cruel of my aunt not to let my old nurse live in the same house with me?"

At that moment, a message arrived from one of the persons of whom she was speaking. Mrs. Gallilee wished to see Miss Carmina immediately.

"My dear," said Miss Minerva, when the servant had withdrawn, "why do you tremble so?"

"There's something in me, Frances, that shudders at my aunt, ever since--"

She stopped.

Miss Minerva understood that sudden pause--the undesigned allusion to Carmina's guiltless knowledge of her feeling towards Ovid. By unexpressed consent, on either side, they still preserved their former relations as if Mrs. Gallilee had not spoken. Miss Minerva looked at Carmina sadly and kindly. "Good-bye for the present!" she said--and went upstairs again to the schoolroom.

In the hall, Carmina found the servant waiting for her. He opened the library door. The learned lady was at her studies.

"I have been speaking to Mr. Null about you," said Mrs. Gallilee.

On the previous evening, Carmina had kept her room. She had breakfasted in bed--and she now saw her aunt for the first time, since Mrs. Gallilee had left the house on her visit to Benjulia. The girl was instantly conscious of a change--to be felt rather than to be realised--a subtle change in her aunt's way of looking at her and speaking to her. Her heart beat fast. She took the nearest chair in silence.

"The doctor," Mrs. Gallilee proceeded, "thinks it of importance to your health to be as much as possible in the air. He wishes you to drive out every day, while the fine weather lasts. I have ordered the open carriage to be ready, after luncheon. Other engagements will prevent me from accompanying you. You will be under the care of my maid, and you will be out for two hours. Mr. Null hopes you will gain strength. Is there anything you want?"

"Nothing--thank you."

"Perhaps you wish for a new dress?"

"Oh, no!"

"You have no complaint to make of the servants?"

"The servants are always kind to me."

"I needn't detain you any longer--I have a person coming to speak to me."

Carmina had entered the room in doubt and fear. She left it with strangely-mingled feelings of perplexity and relief. Her sense of a mysterious change in her aunt had strengthened with every word that Mrs. Gallilee had said to her. She had heard of reformatory institutions, and of discreet persons called matrons who managed them. In her imaginary picture of such places, Mrs. Gallilee's tone and manner realised, in the strangest way, her idea of a matron speaking to a penitent.

As she crossed the hall, her thoughts took a new direction. Some indefinable distrust of the coming time got possession of her. An ugly model of the Colosseum, in cork, stood on the hall table. She looked at it absently. "I hope Teresa will come soon," she thought--and turned away to the stairs.

She ascended slowly; her head drooping, her mind still preoccupied. Arrived at the first landing, a sound of footsteps disturbed her. She looked up--and found herself face to face with Mr. Le Frank, leaving the schoolroom after his music lesson. At that sudden discovery, a cry of alarm escaped her--the common little scream of a startled woman. Mr. Le Frank made an elaborately formal bow: he apologised with sternly stupid emphasis. "I beg your pardon."

Moved by a natural impulse, penitently conscious of those few foolish words of hers which he had so unfortunately overheard, the poor girl made an effort to conciliate him. "I have very few friends, Mr. Le Frank," she said timidly. "May I still consider you as one of them? Will you forgive and forget? Will you shake hands?"

Mr. Le Frank made another magnificent bow. He was proud of his voice. In his most resonant and mellifluous tones, he said, "You do me honour--" and took the offered hand, and lifted it grandly, and touched it with his lips.

She held by the baluster with her free hand, and controlled the sickening sensation which that momentary contact with him produced. He might have detected the outward signs of the struggle, but for an interruption which preserved her from discovery. Mrs. Gallilee was standing at the open library door. Mrs. Gallilee said, "I am waiting for you, Mr. Le Frank."

Carmina hurried up the stairs, pursued already by a sense of her own imprudence. In her first confusion and dismay, but one clear idea presented itself. "Oh!" she said, "have I made another mistake?"

Meanwhile, Mrs. Gallilee had received her music-master with the nearest approach to an indulgent welcome, of which a hardened nature is capable.

"Take the easy chair, Mr. Le Frank. You are not afraid of the open window?"

"Oh, dear no! I like it." He rapidly unrolled some leaves of music which he had brought downstairs. "With regard to the song that I had the honour of mentioning--"

Mrs. Gallilee pointed to the table. "Put the song there for the present. I have a word to say first. How came you to frighten my niece? I heard something like a scream, and naturally looked out. She was making an apology; she asked you to forgive and forget. What does all this mean?"

Mr. Le Frank exhausted his ingenuity in efforts of polite evasion without the slightest success. From first to last (if the expression may be permitted) Mrs. Gallilee had him under her thumb. He was not released, until he had literally reported Carmina's opinion of him as a man and a musician, and had exactly described the circumstances under which he had heard it. Mrs. Gallilee listened with an interest, which (under less embarrassing circumstances) would have even satisfied Mrs. Le Frank's vanity.

She was not for a moment deceived by the clumsy affectation of good humour with which he told his story. Her penetration discovered the vindictive feeling towards Carmina, which offered him, in case of necessity, as an instrument ready made to her hand. By fine degrees, she presented herself in the new character of a sympathising friend.

"I know now, Mr. Le Frank, why you declined to be my niece's music-master. Allow me to apologise for having ignorantly placed you in a false position. I appreciate the delicacy of your conduct--I understand, and admire you."

Mr. Le Frank's florid cheeks turned redder still. His cold blood began to simmer, heated by an all-pervading glow of flattered self-esteem.

"My niece's motives for concealment are plain enough," Mrs. Gallilee proceeded. "Let me hope that she was ashamed to confess the total want of taste, delicacy, and good manners which has so justly offended you. Miss Minerva, however, has no excuse for keeping me in the dark. Her conduct, in this matter, offers, I regret to say, one more instance of her habitual neglect of the duties which attach to her position in my house. There seems to be some private understanding between my governess and my niece, of which I highly disapprove. However, the subject is too distasteful to dwell on. You were speaking of your song--the last effort of your genius, I think?"

His "genius"! The inner glow in Mr. Le Frank grew warmer and warmer. "I asked for the honour of an interview," he explained, "to make a request." He took up his leaves of music. "This is my last, and, I hope, my best effort at composition. May I dedicate it--?"

"To me!" Mrs. Gallilee exclaimed with a burst of enthusiasm.

Mr. Le Frank felt the compliment. He bowed gratefully.

"Need I say how gladly I accept the honour?" With this gracious answer Mrs. Gallilee rose.

Was the change of position a hint, suggesting that Mr. Le Frank might leave her to her studies, now that his object was gained? Or was it an act of homage offered by Science to Art? Mr. Le Frank was incapable of placing an unfavourable interpretation on any position which a woman--and such a woman--could assume in his presence. He felt the compliment again. "The first copy published shall be sent to you," he said--and snatched up his hat, eager to set the printers at work.

"And five-and-twenty copies more, for which I subscribe," cried his munificent patroness, cordially shaking hands with him.

Mr. Le Frank attempted to express his sense of obligation. Generous Mrs. Gallilee refused to hear him. He took his leave; he got as far as the hall; and then he was called back--softly, confidentially called back to the library.

"A thought has just struck me," said Mrs. Gallilee. "Please shut the door for a moment. About that meeting between you and my niece? Perhaps, I am taking a morbid view?"

She paused. Mr. Le Frank waited with breathless interest.

"Or is there something out of the common way, in that apology of hers?" Mrs. Gallilee proceeded. "Have you any idea what the motive might be?"

Mr. Le Frank's ready suspicion was instantly aroused. "Not the least idea," he answered. "Can you tell me?"

"I am as completely puzzled as you are," Mrs. Gallilee rejoined.

Mr. Le Frank considered. His suspicions made an imaginative effort, assisted by his vanity. "After my refusal to teach her," he suggested, "that proposal to shake hands may have a meaning--" There, his invention failed him. He stopped, and shook his head ominously.

Mrs. Gallilee's object being attained, she made no attempt to help him. "Perhaps, time will show," she answered discreetly. "Good-bye again--with best wishes for the success of the song."

The solitude of her own room was no welcome refuge to Carmina, in her present state of mind. She went on to the schoolroom.

Miss Minerva was alone. The two girls, in obedience to domestic regulations, were making their midday toilet before dinner. Carmina described her interview with Mrs. Gallilee, and her meeting with Mr. Le Frank. "Don't scold me," she said; "I make no excuse for my folly."

"If Mr. Le Frank had left the house, after you spoke to him," Miss Minerva answered, I should not have felt the anxiety which troubles me now. I don't like his going to Mrs. Gallilee afterwards--especially when you tell me of that change in her manner towards you. Yours is a vivid imagination, Carmina. Are you sure that it has not been playing you any tricks?"

"Perfectly sure."

Miss Minerva was not quite satisfied. "Will you help me to feel as certain about it as you do?" she asked. "Mrs. Gallilee generally looks in for a few minutes, while the children are at dinner. Stay here, and say something to her in my presence. I want to judge for myself."

The girls came in. Maria's perfect toilet, reflected Maria's perfect character. She performed the duties of politeness with her usual happy choice of words. "Dear Carmina, it is indeed a pleasure to see you again in our schoolroom. We are naturally anxious about your health. This lovely weather is no doubt in your favour; and papa thinks Mr. Null a remarkably clever man." Zo stood by frowning, while these smooth conventionalities trickled over her sister's lips. Carmina asked what was the matter. Zo looked gloomily at the dog on the rug. "I wish I was Tinker," she said. Maria smiled sweetly. "Dear Zoe, what a very strange wish! What would you do, if you were Tinker?" The dog, hearing his name, rose and shook himself. Zo pointed to him, with an appearance of the deepest interest. "He hasn't got to brush his hair, before he goes out for a walk; his nails don't took black when they're dirty. And, I say!" (she whispered the next words in Carmina's ear) "he hasn't got a governess."

The dinner made its appearance; and Mrs. Gallilee followed the dinner. Maria said grace. Zo, always ravenous at meals, forgot to say Amen. Carmina, standing behind her chair, prompted her. Zo said "Amen; oh, bother!" the first word at the top of her voice, and the last two in a whisper. Mrs. Gallilee looked at Carmina as she might have looked at an obtrusive person who had stepped in from the street. "You had better dress before luncheon," she suggested, "or you will keep the carriage waiting." Hearing this, Zo laid down her knife and fork, and looked over her shoulder. "Ask if I may go with you," she said. Carmina made the request. "No," Mrs. Gallilee answered, "the children must walk. My maid will accompany you." Carmina glanced at Miss Minerva on leaving the room. The governess replied by a look. She too had seen the change in Mrs. Gallilee's manner, and was at a loss to understand it.

Mrs. Gallilee's maid Marceline belonged to a quick-tempered race: she was a Jersey woman. It is not easy to say which of the two felt most oppressed by their enforced companionship in the carriage.

The maid was perhaps the most to be pitied. Secretly drawn towards Carmina like the other servants in the house, she was forced by her mistress's private instruction, to play the part of a spy. "If the young lady changes the route which the coachman has my orders to take, or if she communicates with any person while your are out, you are to report it to me." Mrs. Gallilee had not forgotten the discovery of the travelling bag; and Mr. Mool's exposition of the law had informed her, that the superintendence of Carmina was as much a matter of serious pecuniary interest as ever.

But recent events had, in one respect at least, improved the prospect.

If Ovid (as his mother actually ventured to hope!) broke off his engagement, when he heard the scandalous story of Carmina's birth, there was surely a chance that she, like other girls of her sensitive temperament, might feel the calamity that had fallen on her so acutely as to condemn herself to a single life. Misled, partly by the hope of relief from her own vile anxieties; partly by the heartless incapability of appreciating generous feeling in others, developed by the pursuits of her later life, Mrs. Gallilee seriously contemplated her son's future decision as a matter of reasonable doubt.

In the meanwhile, this detestable child of adultery--this living obstacle in the way of the magnificent prospects which otherwise awaited Maria and Zoe, to say nothing of their mother--must remain in the house, submitted to her guardian's authority, watched by her guardian's vigilance. The hateful creature was still entitled to medical attendance when she was ill, and must still be supplied with every remedy that the doctor's ingenuity could suggest. A liberal allowance was paid for the care of her; and the trustees were bound to interfere if it was not fairly earned.

Looking after the carriage as it drove away--Marceline on the front seat presenting the picture of discomfort; and Carmina opposite to her, unendurably pretty and interesting, with the last new poem on her lap--Mrs. Gallilee's reflections took their own bitter course. "Accidents happen to other carriages, with other girls in them. Not to my carriage, with that girl in it! Nothing will frighten my horses to-day; and, fat as he is, my coachman will not have a fit on the box!"

It was only too true. At the appointed hour the carriage appeared again--and (to complete the disappointment) Marceline had no report to make.

Miss Minerva had not forgotten her promise. When she returned from her walk with the children, the rooms had been taken. Teresa's London lodging was within five minutes' walk of the house.

That evening, Carmina sent a telegram to Rome, on the chance that the nurse might not yet have begun her journey. The message (deferring other explanations until they met) merely informed her that her rooms were ready, adding the address and the landlady's name. Guessing in the dark, Carmina and the governess had ignorantly attributed the sinister alteration in Mrs. Gallilee's manner to the prospect of Teresa's unwelcome return. "While you have the means in your power," Miss Minerva advised, "it may be as well to let your old friend know that there is a home for her when she reaches London."

The weather, to Carmina's infinite relief, changed for the worse the next day. Incessant rain made it impossible to send her out in the carriage again.

But it was an eventful day, nevertheless. On that rainy afternoon, Mr. Gallilee asserted himself as a free agent, in the terrible presence of his wife!

"It's an uncommonly dull day, my dear," he began. This passed without notice, which was a great encouragement to go on. "If you will allows me to say so, Carmina wants a little amusement." Mrs. Gallilee looked up from her book. Fearing that he might stop altogether if he took his time as usual, Mr. Gallilee proceeded in a hurry. "There's an afternoon performance of conjuring tricks; and, do you know, I really think I might take Carmina to see it. We shall be delighted if you will accompany us, my dear; and they do say--perhaps you have heard of it yourself?--that there's a good deal of science in this exhibition." His eyes rolled in uneasy expectation, as he waited to hear what his wife might decide. She waved her hand contemptuously in the direction of the door. Mr. Gallilee retired with the alacrity of a young man. "Now we shall enjoy ourselves!" he thought as he went up to Carmina's room.

They were just leaving the house, when the music-master arrived at the door to give his lesson.

Mr. Gallilee immediately put his head out of the cab window. "We are going to see the conjuring!" he shouted cheerfully. "Carmina! don't you see Mr. Le Frank? He is bowing to you. Do you like conjuring, Mr. Le Frank? Don't tell the children where we are going! They would be disappointed, poor things--but they must have their lessons, mustn't they? Good-bye! I say! stop a minute. If you ever want your umbrella mended, I know a man who will do it cheap and well. Nasty day, isn't it? Go on! go on!"

The general opinion which ranks vanity among the lighter failings of humanity, commits a serious mistake. Vanity wants nothing but the motive power to develop into absolute wickedness. Vanity can be savagely suspicious and diabolically cruel. What are the two typical names which stand revealed in history as the names of the two vainest men that ever lived? Nero and Robespierre.

In his obscure sphere, and within his restricted means, the vanity of Mrs. Gallilee's music-master had developed its inherent qualities, under her cunning and guarded instigation. Once set in action, his suspicion of Carmina passed beyond all limits. There could be no reason but a bad reason for that barefaced attempt to entrap him into a reconciliation. Every evil motive which it was possible to attribute to a girl of her age, no matter how monstrously improbable it might be, occurred to him when he recalled her words, her look, and her manner at their meeting on the stairs. His paltry little mind, at other times preoccupied in contemplating himself and his abilities, was now so completely absorbed in imagining every variety of conspiracy against his social and professional position, that he was not even capable of giving his customary lesson to two children. Before the appointed hour had expired, Miss Minerva remarked that his mind did not appear to be at ease, and suggested that he had better renew the lesson on the next day. After a futile attempt to assume an appearance of tranquillity--he thanked her and took his leave.

On his way downstairs, he found the door of Carmina's room left half open.

She was absent with Mr. Gallilee. Miss Minerva remained upstairs with the children. Mrs. Gallilee was engaged in scientific research. At that hour of the afternoon, there were no duties which called the servants to the upper part of the house. He listened--he hesitated--he went into the room.

It was possible that she might keep a journal: it was certain that she wrote and received letters. If he could only find her desk unlocked and her drawers open, the inmost secrets of her life would be at his mercy.

He tried her desk; he tried the cupboard under the bookcase. They were both locked. The cabinet between the windows and the drawer of the table were left unguarded. No discovery rewarded the careful search that he pursued in these two repositories. He opened the books that she had left on the table, and shook them. No forgotten letter, no private memorandum (used as marks) dropped out. He looked all round him; he peeped into the bedroom; he listened, to make sure that nobody was outside; he entered the bedroom, and examined the toilet-table, and opened the doors of the wardrobe--and still the search was fruitless, persevere as he might.

Returning to the sitting-room, he shook his fist at the writing-desk. "You wouldn't be locked," he thought, "unless you had some shameful secrets to keep! I shall have other opportunities; and she may not always remember to turn the key." He stole quietly down the stairs, and met no one on his way out.

The bad weather continued on the next day. The object of Mr. Le Frank's suspicion remained in the house--and the second opportunity failed to offer itself as yet.

The visit to the exhibition of conjuring had done Carmina harm instead of good. Her head ached, in the close atmosphere--she was too fatigued to be able to stay in the room until the performance came to an end. Poor Mr. Gallilee retired in disgrace to the shelter of his club. At dinner, even his perfect temper failed him for the moment. He found fault with the champagne--and then apologised to the waiter. "I'm sorry I was a little hard on you just now. The fact is, I'm out of sorts--you have felt in that way yourself, haven't you? The wine's first-rate; and, really the weather is so discouraging, I think I'll try another pint."

But Carmina's buoyant heart defied the languor of illness and the gloomy day. The post had brought her a letter from Ovid--enclosing a photograph, taken at Montreal, which presented him in his travelling costume.

He wrote in a tone of cheerfulness, which revived Carmina's sinking courage, and renewed for a time at least the happiness of other days. The air of the plains of Canada he declared to be literally intoxicating. Every hour seemed to be giving him back the vital energy that he had lost in his London life. He slept on the ground, in the open air, more soundly than he had ever slept in a bed. But one anxiety troubled his mind. In the roving life which he now enjoyed, it was impossible that his letters could follow him--and yet, every day that passed made him more unreasonably eager to hear that Carmina was not weary of waiting for him, and that all was well at home.

"And how have these vain aspirations of mine ended?"--the letter went on. "They have ended, my darling, in a journey for one of my guides--an Indian, whose fidelity I have put to the proof, and whose zeal I have stimulated by a promise of reward.

"The Indian takes these lines to be posted at Quebec. He is also provided with an order, authorising my bankers to trust him with the letters that are waiting for me. I begin a canoe voyage to-morrow; and, after due consultation with the crew, we have arranged a date and a place at which my messenger will find me on his return. Shall I confess my own amiable weakness? or do you know me well enough already to suspect the truth? My love, I am sorely tempted to be false to my plans and arrangements to go back with the Indian to Quebec--and to take a berth in the first steamer that returns to England.

"Don't suppose that I am troubled by any misgivings about what is going on in my absence! It is one of the good signs of my returning health that I take the brightest view of our present lives, and of our lives to come. I feel tempted to go back, for the same reason that makes me anxious for letters. I want to hear from you, because I love you--I want to return at once, because I love you. There is longing, unutterable longing, in my heart. No doubts, my sweet one, and no fears!

"But I was a doctor, before I became a lover. My medical knowledge tells me that this is an opportunity of thoroughly fortifying my constitution, and (with God's blessing) of securing to myself reserves of health and strength which will take us together happily on the way to old age. Dear love, you must be my wife--not my nurse! There is the thought that gives me self-denial enough to let the Indian go away by himself."

Carmina answered this letter as soon as she had read it.

Before the mail could carry her reply to its destination, she well knew that the Indian messenger would be on the way back to his master. But Ovid had made her so happy that she felt the impulse to write to him at once, as she might have felt the impulse to answer him at once if he had been present and speaking to her. When the pages were filled, and the letter had been closed and addressed, the effort produced its depressing effect on her spirits.

There now appeared to her a certain wisdom in the loving rapidity of her reply.

Even in the fullness of her joy, she was conscious of an underlying distrust of herself. Although he refused to admit it, Mr. Null had betrayed a want of faith in the remedy from which he had anticipated such speedy results, by writing another prescription. He had also added a glass to the daily allowance of wine, which he had thought sufficient thus far. Without despairing of herself, Carmina felt that she had done wisely in writing her answer, while she was still well enough to rival the cheerful tone of Ovid's letter.

She laid down to rest on the sofa, with the photograph in her hand. No sense of loneliness oppressed her now; the portrait was the best of all companions. Outside, the heavy rain pattered; in the room, the busy clock ticked. She listened lazily, and looked at her lover, and kissed the faithful image of him--peacefully happy.

The opening of the door was the first little event that disturbed her. Zo peeped in. Her face was red, her hair was tousled, her fingers presented inky signs of a recent writing lesson.

"I'm in a rage," she announced; "and so is the Other One."

Carmina called her to the sofa, and tried to find out who this second angry person might be. "Oh, you know!" Zo answered doggedly. "She rapped my knuckles. I call her a Beast."

"Hush! you mustn't talk in that way."

"She'll be here directly," Zo proceeded. "You look out! She'd rap your knuckles--only you're too big. If it wasn't raining, I'd run away." Carmina assumed an air of severity, and entered a serious protest adapted to her young friend's intelligence. She might as well have spoken in a foreign language. Zo had another reason to give, besides the rap on the knuckles, for running away.

"I say!" she resumed--"you know the boy?"

"What boy, dear?"

"He comes round sometimes. He's got a hurdy-gurdy. He's got a monkey. He grins. He says, Aha--gimmee--haypenny. I mean to go to that boy!"

As a confession of Zo's first love, this was irresistible. Carmina burst out laughing. Zo indignantly claimed a hearing. "I haven't done yet!" she burst out. "The boy dances. Like this." She cocked her head, and slapped her thigh, and imitated the boy. "And sometimes he sings!" she cried with another outburst of admiration. "Yah-yah-yah-bellah-vitah-yah! That's Italian, Carmina." The door opened again while the performer was in full vigour--and Miss Minerva appeared.

When she entered the room, Carmina at once saw that Zo had correctly observed her governess. Miss Minerva's heavy eyebrows lowered; her lips were pale; he head was held angrily erect, "Carmina!" she said sharply, "you shouldn't encourage that child." She turned round, in search of the truant pupil. Incurably stupid at her lessons, Zo's mind had its gleams of intelligence, in a state of liberty. One of those gleams had shone propitiously, and had lighted her out of the room.

Miss Minerva took a chair: she dropped into it like a person worn out with fatigue. Carmina spoke to her gently. Words of sympathy were thrown away on that self-tormenting nature.

"No; I'm not ill," she said. "A night without sleep; a perverse child to teach in the morning; and a detestable temper at all times--that's what is the matter with me." She looked at Carmina. "You seem to be wonderfully better to-day. Has stupid Mr. Null really done you some good at last?" She noticed the open writing-desk, and discovered the letter. "Or is it good news?"

"I have heard from Ovid," Carmina answered. The photograph was still in her hand; but her inbred delicacy of feeling kept the portrait hidden.

The governess's sallow complexion turned little by little to a dull greyish white. Her hands, loosely clasped in her lap, tightened when she heard Ovid's name. That slight movement over, she stirred no more. After waiting a little, Carmina ventured to speak. "Frances," she said, "you have not shaken hands with me yet." Miss Minerva slowly looked up, keeping her hands still clasped on her lap.

"When is he coming back?" she asked. It was said quietly.

Carmina quietly replied, "Not yet--I am sorry to say."

"I am sorry too."

"It's good of you, Frances, to say that."

"No: it's not good of me. I'm thinking of myself--not of you." She suddenly lowered her tone. "I wish you were married to him," she said.

There was a pause. Miss Minerva was the first to speak again.

"Do you understand me?" she asked.

"Perhaps you will help me to understand," Carmina answered.

"If you were married to him, even my restless spirit might be at peace. The struggle would be over."

She left her chair, and walked restlessly up and down the room. The passionate emotion which she had resolutely suppressed began to get beyond her control.

"I was thinking about you last night," she abruptly resumed. "You are a gentle little creature--but I have seen you show some spirit, when your aunt's cold-blooded insolence roused you. Do you know what I would do, if I were in your place? I wouldn't wait tamely till he came back to me--I would go to him. Carmina! Carmina! leave this horrible house!" She stopped, close by the sofa. "Let me look at you. Ha! I believe you have thought of it yourself?"

"I have thought of it."

"What did I say? You poor little prisoner, you have the right spirit in you! I wish I could give you some of my strength." The half-mocking tone in which she spoke, suddenly failed her. Her piercing eyes grew dim; the hard lines in her face softened. She dropped on her knees, and wound her lithe arms round Carmina, and kissed her. "You sweet child!" she said--and burst passionately into tears.

Even then, the woman's fiercely self-dependent nature asserted itself. She pushed Carmina back on the sofa. "Don't look at me! don't speak to me!" she gasped. "Leave me to get over it."

She stifled the sobs that broke from her. Still on her knees, she looked up, shuddering. A ghastly smile distorted her lips. "Ah, what fools we are!" she said. "Where is that lavender water, my dear--your favourite remedy for a burning head?" She found the bottle before Carmina could help her, and soaked her handkerchief in the lavender water, and tied it round her head. "Yes," she went on, as if they had been gossiping on the most commonplace subjects, "I think you're right: this is the best of all perfumes." She looked at the clock. "The children's dinner will be ready in ten minutes. I must, and will, say what I have to say to you. It may be the last poor return I can make, Carmina, for all your kindness."

She returned to her chair.

"I can't help it if I frighten you," she resumed; "I must tell you plainly that I don't like the prospect. In the first place, the sooner we two are parted--oh, only for a while!--the better for you. After what I went through, last night--no, I am not going to enter into any particulars; I am only going to repeat, what I have said already--don't trust me. I mean it, Carmina! Your generous nature shall not mislead you, if I can help it. When you are a happy married woman--when he is farther removed from me than he is even now--remember your ugly, ill-tempered friend, and let me come to you. Enough of this! I have other misgivings that are waiting to be confessed. You know that old nurse of yours intimately--while I only speak from a day or two's experience of her. To my judgment, she is a woman whose fondness for you might be turned into a tigerish fondness, on very small provocation. You write to her constantly. Does she know what you have suffered? Have you told her the truth?"

"Yes."

"Without reserve?"

"Entirely without reserve."

"When that old woman comes to London, Carmina--and sees you, and sees Mrs. Gallilee--don't you think the consequences may be serious? and your position between them something (if you were ten times stronger than you are) that no fortitude can endure?"

Carmina started up on the sofa. She was not able to speak. Miss Minerva gave her time to recover herself--after another look at the clock.

"I am not alarming you for nothing," she proceeded; "I have something hopeful to propose. Your friend Teresa has energies--wild energies. Make a good use of them. She will do anything you ask or her. Take her with you to Canada!"

"Oh, Frances!"

Miss Minerva pointed to the letter on the desk. "Does he tell you when he will be back?"

"No. He feels the importance of completely restoring his health--he is going farther and farther away--he has sent to Quebec for his letters."

"Then there is no fear of your crossing each other on the voyage. Go to Quebec, and wait for him there."

"I should frighten him."

"Not you!"

"What can I say to him?"

"What you must say, if you are weak enough to wait for him here. Do you think his mother will consider his feelings, when he comes back to marry you? I tell you again I am not talking at random. I have thought it all out: I know how you can make your escape, and defy pursuit. You have plenty of money; you have Teresa to take care of you. Go! For your own sake, for his sake, go!"

The clock struck the hour. She rose and removed the handkerchief from her head. "Hush!" she said, "Do I hear the rustling of a dress on the landing below?" She snatched up a bottle of Mr. Null's medicine--as a reason for being in the room. The sound of the rustling dress came nearer and nearer. Mrs. Gallilee (on her way to the schoolroom dinner) opened the door. She instantly understood the purpose which the bottle was intended to answer.

"It is my business to give Carmina her medicine," she said. "Your business is at the schoolroom table."

She took possession of the bottle, and advanced to Carmina. There were two looking-glasses in the room. One, in the usual position, over the fireplace; the other opposite, on the wall behind the sofa. Turning back, before she left the room, Miss Minerva saw Mrs. Gallilee's face, when she and Carmina looked at each other, reflected in the glass.

The girls were waiting for their dinner. Maria received the unpunctual governess with her ready smile, and her appropriate speech. "Dear Miss Minerva, we were really almost getting alarmed about you. Pardon me for noticing it, you look--" She caught the eye of the governess, and stopped confusedly.

"Well?" said Miss Minerva. "How do I look?"

Maria still hesitated. Zo spoke out as usual. "You look as if somebody had frightened you."

After two days of rain, the weather cleared again.

It was a calm, sunshiny Sunday morning. The flat country round Benjulia's house wore its brightest aspect on that clear autumn day. Even the doctor's gloomy domestic establishment reflected in some degree the change for the better. When he rose that morning, Benjulia presented himself to his household in a character which they were little accustomed to see--the character of a good-humoured master. He astonished his silent servant by attempting to whistle a tune. "If you ever looked cheerful in your life," he said to the man, "look cheerful now. I'm going to take a holiday!"

After working incessantly--never leaving his laboratory; eating at his dreadful table; snatching an hour's rest occasionally on the floor--he had completed a series of experiments, with results on which he could absolutely rely. He had advanced by one step nearer towards solving that occult problem in brain disease, which had thus far baffled the investigations of medical men throughout the civilised world. If his present rate of progress continued, the lapse of another month might add his name to the names that remain immortal among physicians, in the Annals of Discovery.

So completely had his labours absorbed his mind that he only remembered the letters which Mrs. Gallilee had left with him, when he finished his breakfast on Sunday morning. Upon examination, there appeared no allusion in Ovid's correspondence to the mysterious case of illness which he had attended at Montreal. The one method now left, by which Benjulia could relieve the doubt that still troubled him, was to communicate directly with his friend in Canada. He decided to celebrate his holiday by taking a walk; his destination being the central telegraph office in London.

But, before he left the house, his domestic duties claimed attention. He issued his orders to the cook.

At three o'clock he would return to dinner. That day was to witness the celebration of his first regular meat for forty-eight hours past; and he expected the strictest punctuality. The cook--lately engaged--was a vigourous little woman, with fiery hair and a high colour. She, like the man-servant, felt the genial influence of her master's amiability. He looked at her, for the first time since she had entered the house. A twinkling light showed itself furtively in his dreary gray eyes: he took a dusty old hand-screen from the sideboard, and made her a present of it! "There," he said with his dry humour, "don't spoil your complexion before the kitchen fire." The cook possessed a sanguine temperament, and a taste to be honoured and encouraged--the taste for reading novels. She put her own romantic construction on the extraordinary compliment which the doctor's jesting humour had paid to her. As he walked out, grimly smiling and thumping his big stick on the floor, a new idea illuminated her mind. Her master admired her; her master was no ordinary man--it might end in his marrying her.

On his way to the telegraph office, Benjulia left Ovid's letters at Mrs. Gallilee's house.

If he had personally returned them, he would have found the learned lady in no very gracious humour. On the previous day she had discovered Carmina and Miss Minerva engaged in a private conference--without having been able even to guess what the subject under discussion between them might be. They were again together that morning. Maria and Zo had gone to church with their father; Miss Minerva was kept at home by a headache. At that hour, and under those circumstances, there was no plausible pretence which would justify Mrs. Gallilee's interference. She seriously contemplated the sacrifice of a month's salary, and the dismissal of her governess without notice.

When the footman opened the door, Benjulia handed in the packet of letters. After his latest experience of Mrs. Gallilee, he had no intention of returning her visit. He walked away without uttering a word.

The cable took his message to Mr. Morphew in these terms:--"Ovid's patient at Montreal. Was the complaint brain disease? Yes or no." Having made arrangements for the forwarding of the reply from his club, he set forth on the walk back to his house.

At five minutes to three, he was at home again. As the clock struck the hour, he rang the bell. The man-servant appeared, without the dinner. Benjulia's astonishing amiability--on his holiday--was even equal to this demand on its resources.

"I ordered roast mutton at three," he said, with terrifying tranquillity. "Where is it?"

"The dinner will be ready in ten minutes, sir."

"Why is it not ready now?"

"The cook hopes you will excuse her, sir. She is a little behindhand to-day."

"What has hindered her, if you please?"

The silent servant--on all other occasions the most impenetrable of human beings--began to tremble. The doctor had, literally, kicked a man out of the house who had tried to look through the laboratory skylight. He had turned away a female servant at half an hour's notice, for forgetting to shut the door, a second time in one day. But what were these highhanded proceedings, compared with the awful composure which, being kept waiting for dinner, only asked what had hindered the cook, and put the question politely, by saying, "if you please"?

"Perhaps you were making love to her?" the doctor suggested, as gently as ever.

This outrageous insinuation stung the silent servant into speech. "I'm incapable of the action, sir!" he answered indignantly; "the woman was reading a story."

Benjulia bent his head, as if in acknowledgment of a highly satisfactory explanation. "Oh? reading a story? People who read stories are said to have excitable brains. Should you call the cook excitable?"

"I should, sir! Most cooks are excitable. They say it's the kitchen fire."

"Do they? You can go now. Don't hurry the cook--I'll wait."

He waited, apparently following some new train of thought which highly diverted him. Ten minutes passed--then a quarter of an hour then another five minutes. When the servant returned with the dinner, the master's private reflections continued to amuse him: his thin lips were still widening grimly, distended by his formidable smile.

On being carved, the mutton proved to be underdone. At other times, this was an unpardonable crime in Benjulia's domestic code of laws. All he said now was, "Take it away." He dined on potatoes, and bread and cheese. When he had done, he was rather more amiable than ever. He said, "Ask the cook to come and see me!"

The cook presented herself, with one hand on her palpitating heart, and the other holding her handkerchief to her eyes.

"What are you crying about?" Benjulia inquired; "I haven't scolded you, have I?" The cook began an apology; the doctor pointed to a chair. "Sit down, and recover yourself." The cook sat down, faintly smiling through her tears. This otherwise incomprehensible reception of a person who had kept the dinner waiting twenty minutes, and who had not done the mutton properly even then (taken in connection with the master's complimentary inquiries, reported downstairs by the footman), could bear but one interpretation. It wasn't every woman who had her beautiful hair, and her rosy complexion. Why had she not thought of going upstairs first, just to see whether she looked her best in the glass? Would he begin by making a confession? or would he begin by kissing her?

He began by lighting his pipe. For a while he smoked placidly with his eye on the cook. "I hear you have been reading a story," he resumed. "What is the name of it?"

"'Pamela; or Virtue Rewarded,' sir."

Benjulia went on with his smoking. The cook, thus far demure and downcast, lifted her eyes experimentally. He was still looking at her. Did he want encouragement? The cook cautiously offered a little literary information,

"The author's name is on the book, sir. Name of Richardson."

The information was graciously received, "Yes; I've heard of the name, and heard of the book. Is it interesting?"

"Oh, sir, it's a beautiful story! My only excuse for being late with the dinner--"

"Who's Pamela?"

"A young person in service, sir. I'm sure I wish I was more like her! I felt quite broken-hearted when you sent the mutton down again; and you so kind as to overlook the error in the roasting--"

Benjulia stopped the apology once more. He pursued his own ends with a penitent cook, just as he pursued his own ends with a vivisected animal. Nothing moved him out of his appointed course, in the one or in the other. He returned to Pamela.

"And what becomes of her at the end of the story?" he asked.

The cook simpered. "It's Pamela who is the virtuous young person, sir. And so the story comes true--Pamela, or Virtue Rewarded."

"Who rewards her?"

Was there ever anything so lucky as this? Pamela's situation was fast becoming the cook's situation. The bosom of the vigourous little woman began to show signs of tender agitation--distributed over a large surface. She rolled her eyes amorously. Benjulia puffed out another mouthful of smoke. "Well," he repeated, "who rewards Pamela?"

"Her master, sir."

"What does he do?"

The cook's eyes sank modestly to her lap. The cook's complexion became brighter than ever.

"Her master marries her, sir."

"Oh?"

That was all he said. He was not astonished, or confused, or encouraged--he simply intimated that he now knew how Pamela's master had rewarded Pamela. And, more dispiriting still, he took the opportunity of knocking the ashes out of his pipe, and filled it, and lit it again. If the cook had been one of the few miserable wretches who never read novels, she might have felt her fondly founded hopes already sinking from under her. As it was, Richardson sustained her faith in herself; Richardson reminded her that Pamela's master had hesitated, and that Pamela's Virtue had not earned its reward on easy terms. She stole another look at the doctor. The eloquence of women's eyes, so widely and justly celebrated in poetry and prose, now spoke in the cook's eyes. They said, "Marry me, dear sir, and you shall never have underdone mutton again." The hearts of other savages have been known to soften under sufficient influences--why should the scientific savage, under similar pressure, not melt a little too? The doctor took up the talk again: he made a kind allusion to the cook's family circumstances.

"When you first came here, I think you told me you had no relations?"

"I am an orphan, sir."

"And you had been some time out of a situation, when I engaged you?"

"Yes, sir; my poor little savings were nearly at an end!" Could he resist that pathetic picture of the orphan's little savings--framed, as it were, in a delicately-designed reference to her fellow-servant in the story? "I was as poor as Pamela," she suggested softly.

"And as virtuous," Benjulia added.

The cook's eloquent eyes said, "Thank you, sir."

He laid down his pipe. That was a good sign, surely? He drew his chair nearer to her. Better and better! His arm was long enough, in the new position, to reach her waist. Her waist was ready for him.

"You have nothing in particular to do, this afternoon; and I have nothing particular to do." He delivered himself of this assertion rather abruptly. At the same time, it was one of those promising statements which pave the way for anything. He might say, "Having nothing particular to do to-day--why shouldn't we make love?" Or he might say, "Having nothing particular to do to-morrow--why shouldn't we get the marriage license?" Would he put it in that way? No: he made a proposal of quite another kind. He said, "You seem to be fond of stories. Suppose I tell you a story?"

Perhaps, there was some hidden meaning in this. There was unquestionably a sudden alteration in his look and manner; the cook asked herself what it meant.

If she had seen the doctor at his secret work in the laboratory, the change in him might have put her on her guard. He was now looking (experimentally) at the inferior creature seated before him in the chair, as he looked (experimentally) at the other inferior creatures stretched under him on the table.

His story began in the innocent, old-fashioned way.

"Once upon a time, there was a master and there was a maid. We will call the master by the first letter of the alphabet--Mr. A. And we will call the maid by the second letter--Miss B."

The cook drew a long breath of relief. There was a hidden meaning in the doctor's story. The unfortunate woman thought to herself, "I have not only got fine hair and a beautiful complexion; I am clever as well!" On her rare evenings of liberty, she sometimes gratified another highly creditable taste, besides the taste for reading novels. She was an eager play-goer. That notable figure in the drama--the man who tells his own story, under pretence of telling the story of another person--was no unfamiliar figure in her stage experience. Her encouraging smile made its modest appearance once more. In the very beginning of her master's story, she saw already the happy end.

"We all of us have our troubles in life," Benjulia went on; "and Miss B. had her troubles. For a long time, she was out of a situation; and she had no kind parents to help her. Miss B. was an orphan. Her little savings were almost gone."

It was too distressing. The cook took out her handkerchief, and pitied Miss B. with all her heart.

The doctor proceeded.

"But virtue, as we know when we read 'Pamela,' is sure of its reward. Circumstances occurred in the household of Mr. A. which made it necessary for him to engage a cook. He discovered an advertisement in a newspaper, which informed him that Miss B. was in search of a situation. Mr. A. found her to be a young and charming woman. Mr. A. engaged her." At that critical part of the story, Benjulia paused. "And what did Mr. A. do next?" he asked.

The cook could restrain herself no longer. She jumped out of her chair, and threw her arms round the doctor's neck.

Benjulia went on with his story as if nothing had happened.

"And what did Mr. A. do next?" he repeated. "He put his hand in his pocket--he gave Miss B. a month's wages--and he turned her out of the house. You impudent hussy, you have delayed my dinner, spoilt my mutton, and hugged me round the neck! There is your money. Go."

With glaring eyes and gaping mouth, the cook stood looking at him, like a woman struck to stone. In a moment more, the rage burst out of her in a furious scream. She turned to the table, and snatched up a knife. Benjulia wrenched it from her hand, and dropped back into his chair completely overpowered by the success of his little joke. He did what he had never done within the memory of his oldest friend--he burst out laughing. "This has been a holiday!" he said. "Why haven't I got somebody with me to enjoy it?"

At that laugh, at those words, the cook's fury in its fiercest heat became frozen by terror. There was something superhuman in the doctor's diabolical joy. Even he felt the wild horror in the woman's eyes as they rested on him.

"What's the matter with you?" he asked. She muttered and mumbled--and, shrinking away from him, crept towards the door. As she approached the window, a man outside passed by it on his way to the house. She pointed to him; and repeated Benjulia's own words:

"Somebody to enjoy it with you," she said.

She opened the dining-room door. The man-servant appeared in the hall, with a gentleman behind him.

The gentleman was a scrupulously polite person. He looked with alarm at the ghastly face of the cook as she ran past him, making for the kitchen stairs. "I'm afraid I intrude on you at an unfortunate time," he said to Benjulia. "Pray excuse me; I will call again."

"Come in, sir." The doctor spoke absently, looking towards the hall, and thinking of something else.

The gentleman entered the room.

"My name is Mool," he said. "I have had the honour of meeting you at one of Mrs. Gallilee's parties."

"Very likely. I don't remember it myself. Take a seat."

He was still thinking of something else. Modest Mr. Mool took a seat in confusion. The doctor crossed the room, and opened the door.

"Excuse me for a minute," he said. "I will be back directly."

He went to the top of the kitchen stairs, and called to the housemaid. "Is the cook down there?"

"Yes, sir."

"What is she doing?"

"Crying her heart out."

Benjulia turned away again with the air of a disappointed man. A violent moral shock sometimes has a serious effect on the brain--especially when it is the brain of an excitable woman. Always a physiologist, even in those rare moments when he was amusing himself, it had just struck Benjulia that the cook--after her outbreak of fury--might be a case worth studying. But, she had got relief in crying; her brain was safe; she had ceased to interest him. He returned to the dining-room.

"You look hot, sir; have a drink. Old English ale, out of the barrel."

The tone was hearty. He poured out the sparkling ale into a big tumbler, with hospitable good-will. Mr. Mool was completely, and most agreeably, taken by surprise. He too was feeling the influence of the doctor's good humour--enriched in quality by pleasant remembrances of his interview with the cook.

"I live in the suburbs, Doctor Benjulia, on this side of London," Mr. Mool explained; "and I have had a nice walk from my house to yours. If I have done wrong, sir, in visiting you on Sunday, I can only plead that I am engaged in business during the week--"

"All right. One day's the same as another, provided you don't interrupt me. You don't interrupt me now. Do you smoke?"

"No, thank you."

"Do you mind my smoking?"

"I like it, doctor."

"Very amiable on your part, I'm sure. What did you say your name was?"

"Mool."

Benjulia looked at him suspiciously. Was he a physiologist, and a rival? "You're not a doctor--are you?" he said.

"I am a lawyer."

One of the few popular prejudices which Benjulia shared with his inferior fellow-creatures was the prejudice against lawyers. But for his angry recollection of the provocation successfully offered to him by his despicable brother, Mrs. Gallilee would never have found her way into his confidence. But for his hearty enjoyment of the mystification of the cook, Mr. Mool would have been requested to state the object of his visit in writing, and would have gone home again a baffled man. The doctor's holiday amiability had reached its full development indeed, when he allowed a strange lawyer to sit and talk with him!

"Gentlemen of your profession," he muttered, "never pay visits to people whom they don't know, without having their own interests in view. Mr. Mool, you want something of me. What is it?"

Mr. Mool's professional tact warned him to waste no time on prefatory phrases.

"I venture on my present intrusion," he began, "in consequence of a statement recently made to me, in my office, by Mrs. Gallilee."

"Stop!" cried Benjulia. "I don't like your beginning, I can tell you. Is it necessary to mention the name of that old--?" He used a word, described in dictionaries as having a twofold meaning. (First, "A female of the canine kind." Second, "A term of reproach for a woman.") It shocked Mr. Mool; and it is therefore unfit to be reported.

"Really, Doctor Benjulia!"

"Does that mean that you positively must talk about her?"

Mr. Mool smiled. "Let us say that it may bear that meaning," he answered.

"Go on, then--and get it over. She made a statement in your office. Out with it, my good fellow. Has it anything to do with me?"

"I should not otherwise, Doctor Benjulia, have ventured to present myself at your house." With that necessary explanation, Mr. Mool related all that had passed between Mrs. Gallilee and himself.

At the outset of the narrative, Benjulia angrily laid aside his pipe, on the point of interrupting the lawyer. He changed his mind; and, putting a strong constraint on himself, listened in silence. "I hope, sir," Mr. Mool concluded, "you will not take a hard view of my motive. It is only the truth to say that I am interested in Miss Carmina's welfare. I felt the sincerest respect and affection for her parents. You knew them too. They were good people. On reflection you must surely regret it, if you have carelessly repeated a false report? Won't you help me to clear the poor mother's memory of this horrid stain?"

Benjulia smoked in silence. Had that simple and touching appeal found its way to him? He began very strangely, when he consented at last to open his lips.

"You're what they call, a middle-aged man," he said. "I suppose you have had some experience of women?"

Mr. Mool blushed. "I am a married man, sir," he replied gravely.

"Very well; that's experience--of one kind. When a man's out of temper, and a woman wants something of him, do you know how cleverly she can take advantage of her privileges to aggravate him, till there's nothing he won't do to get her to leave him in peace? That's how I came to tell Mrs. Gallilee, what she told you."

He waited a little, and comforted himself with his pipe.

"Mind this," he resumed, "I don't profess to feel any interest in the girl; and I never cared two straws about her parents. At the same time, if you can turn to good account what I am going to say next--do it, and welcome. This scandal began in the bragging of a fellow-student of mine at Rome. He was angry with me, and angry with another man, for laughing at him when he declared himself to be Mrs. Robert Graywell's lover: and he laid us a wager that we should see the woman alone in his room, that night. We were hidden behind a curtain, and we did see her in his room. I paid the money I had lost, and left Rome soon afterwards. The other man refused to pay."

"On what ground?" Mr. Mool eagerly asked.

"On the ground that she wore a thick veil, and never showed her face."

"An unanswerable objection, Doctor Benjulia!"

"Perhaps it might be. I didn't think so myself. Two hours before, Mrs. Robert Graywell and I had met in the street. She had on a dress of a remarkable colour in those days--a sort of sea-green. And a bonnet to match, which everybody stared at, because it was not half the size of the big bonnets then in fashion. There was no mistaking the strange dress or the tall figure, when I saw her again in the student's room. So I paid the bet."

"Do you remember the name of the man who refused to pay?"

"His name was Egisto Baccani."

"Have you heard anything of him since?"

"Yes. He got into some political scrape, and took refuge, like the rest of them, in England; and got his living, like the rest of them, by teaching languages. He sent me his prospectus--that's how I came to know about it."

"Have you got the prospectus?"

"Torn up, long ago."

Mr. Mool wrote down the name in his pocket-book. "There is nothing more you can tell me?" he said.

"Nothing."

"Accept my best thanks, doctor. Good-day!"

"If you find Baccani let me know. Another drop of ale? Are you likely to see Mrs. Gallilee soon?"

"Yes--if I find Baccani."

"Do you ever play with children?"

"I have five of my own to play with," Mr. Mool answered.

"Very well. Ask for the youngest child when you go to Mrs. Gallilee's. We call her Zo. Put your finger on her spine--here, just below the neck. Press on the place--so. And, when she wriggles, say, With the big doctor's love."

Getting back to his own house, Mr. Mool was surprised to find an open carriage at the garden gate. A smartly-dressed woman, on the front seat, surveyed him with an uneasy look. "If you please, sir," she said, "would you kindly tell Miss Carmina that we really mustn't wait any longer?"

The woman's uneasiness was reflected in Mr. Mool's face. A visit from Carmina, at his private residence, could have no ordinary motive. The fear instantly occurred to him that Mrs. Gallilee might have spoken to her of her mother.

Before he opened the drawing-room door, this alarm passed away. He heard Carmina talking with his wife and daughters.

"May I say one little word to you, Mr. Mool?"

He took her into his study. She was shy and confused, but certainly neither angry nor distressed.

"My aunt sends me out every day, when it's fine, for a drive," she said. "As the carriage passed close by, I thought I might ask you a question."

"Certainly, my dear! As many questions as you please."

"It's about the law. My aunt says she has the authority over me now, which my dear father had while he was living. Is that true?"

"Quite true."

"For how long is she my guardian?"

"Until you are twenty-one years old."

The faint colour faded from Carmina's face. "More than three years perhaps to suffer!" she said sadly.

"To suffer? What do you mean, my dear?"

She turned paler still, and made no reply. "I want to ask one thing more?" she resumed, in sinking tones. "Would my aunt still be my guardian--supposing I was married?"

Mr. Mool answered this, with his eyes fixed on her in grave scrutiny.

"In that case, your husband is the only person who has any authority over you. These are rather strange questions, Carmina. Won't you take me into your confidence?"

In sudden agitation she seized his hand and kissed it. "I must go!" she said. "I have kept the carriage waiting too long already."

She ran out, without once looking back.

Mrs. Gallilee's maid looked at her watch, when the carriage left Mr. Mool's house. "We shall be nearly an hour late, before we get home," she said.

"It's my fault, Marceline. Tell your mistress the truth, if she questions you. I shall not think the worse of you for obeying your orders."

"I'd rather lose my place, Miss, than get you into trouble."

The woman spoke truly, Carmina's sweet temper had made her position not only endurable, but delightful: she had been treated like a companion and a friend. But for that circumstance--so keenly had Marceline felt the degradation of being employed as a spy--she would undoubtedly have quitted Mrs. Gallilee's service.

On the way home, instead of talking pleasantly as usual, Carmina was silent and sad. Had this change in her spirits been caused by the visit to Mr. Mool? It was even so. The lawyer had innocently decided her on taking the desperate course which Miss Minerva had proposed.

If Mrs. Gallilee's assertion of her absolute right of authority, as guardian, had been declared by Mr. Mool to be incorrect, Carmina (hopefully forgetful of her aunt's temper) had thought of a compromise.

She would have consented to remain at Mrs. Gallilee's disposal until Ovid returned, on condition of being allowed, when Teresa arrived in London, to live in retirement with her old nurse. This change of abode would prevent any collision between Mrs. Gallilee and Teresa, and would make Carmina's life as peaceful, and even as happy, as she could wish.

But now that the lawyer had confirmed her aunt's statement of the position in which they stood towards one another, instant flight to Ovid's love and protection seemed to be the one choice left--unless Carmina could resign herself to a life of merciless persecution and perpetual suspense.

The arrangements for the flight were already complete.

That momentary view of Mrs. Gallilee's face, reflected in the glass, had confirmed Miss Minerva's resolution to interfere. Closeted with Carmina on the Sunday morning, she had proposed a scheme of escape, which would even set Mrs. Gallilee's vigilance and cunning at defiance. No pecuniary obstacle stood in the way. The first quarterly payment of Carmina's allowance of five hundred a year had been already made, by Mool's advice. Enough was left--even without the assistance which the nurse's resources would render--to purchase the necessary outfit, and to take the two women to Quebec. On the day after Teresa's arrival (at an hour of the morning while the servants were still in bed) Carmina and her companion could escape from the house on foot--and not leave a trace behind them.

Meanwhile, Fortune befriended Mrs. Gallilee's maid. No questions were put to her; no notice even was taken of the late return.

Five minutes before the carriage drew up at the house, a learned female friend from the country called, by appointment, on Mrs. Gallilee. On the coming Tuesday afternoon, an event of the deepest scientific interest was to take place. A new Professor had undertaken to deliver himself, by means of a lecture, of subversive opinions on "Matter." A general discussion was to follow; and in that discussion (upon certain conditions) Mrs. Gallilee herself proposed to take part.

"If the Professor attempts to account for the mutual action of separate atoms," she said, "I defy him to do it, without assuming the existence of a continuous material medium in space. And this point of view being accepted--follow me here! what is the result? In plain words," cried Mrs. Gallilee, rising excitedly to her feet, "we dispense with the idea of atoms!"

The friend looked infinitely relieved by the prospect of dispensing with atoms.

"Now observe!" Mrs. Gallilee proceeded. "In connection with this part of the subject, I shall wait to see if the Professor adopts Thomson's theory. You are acquainted with Thomson's theory? No? Let me put it briefly. Mere heterogeneity, together with gravitation, is sufficient to explain all the apparently discordant laws of molecular action. You understand? Very well. If the Professor passes over Thomson, then, I rise in the body of the Hall, and take my stand--follow me again!--on these grounds."

While Mrs. Gallilee's grounds were being laid out for the benefit of her friend, the coachman took the carriage back to the stables; the maid went downstairs to tea; and Carmina joined Miss Minerva in the schoolroom--all three being protected from discovery, by Mrs. Gallilee's rehearsal of her performance in the Comedy of Atoms.

The Monday morning brought with it news from Rome--serious news which confirmed Miss Minerva's misgivings.

Carmina received a letter, bearing the Italian postmark, but not addressed to her in Teresa's handwriting. She looked to the signature before she began to read. Her correspondent was the old priest--Father Patrizio. He wrote in these words:

"My dear child,--Our good Teresa leaves us to-day, on her journey to London. She has impatiently submitted to the legal ceremonies, rendered necessary by her husband having died without making a will. He hardly left anything in the way of money, after payment of his burial expenses, and his few little debts. What is of far greater importance--he lived, and died, a good Christian. I was with him in his last moments. Offer your prayers, my dear, for the repose of his soul.

"Teresa left me, declaring her purpose of travelling night and day, so as to reach you the sooner.

"In her headlong haste, she has not even waited to look over her husband's papers; but has taken the case containing them to England--to be examined at leisure, in your beloved company. Strong as this good creature is, I believe she will be obliged to rest on the road for a night at least. Calculating on this, I assume that my letter will get to you first. I have something to say about your old nurse, which it is well that you should know.

"Do not for a moment suppose that I blame you for having told Teresa of the unfriendly reception, which you appear to have met with from your aunt and guardian. Who should you confide in--if not in the excellent woman who has filled the place of a mother to you? Besides, from your earliest years, have I not always instilled into you the reverence of truth? You have told the truth in your letters. My child, I commend you, and feel for you.

"But the impression produced on Teresa is not what you or I could wish. It is one of her merits, that she loves you with the truest devotion; it is one of her defects, that she is fierce and obstinate in resentment. Your aunt has become an object of absolute hatred to her. I have combated successfully, as I hope and believe--this unchristian state of feeling.

"She is now beyond the reach of my influence. My purpose in writing is to beg you to continue the good work that I have begun. Compose this impetuous nature; restrain this fiery spirit. Your gentle influence, Carmina, has a power of its own over those who love you--and who loves you like Teresa?--of which perhaps you are not yourself aware. Use your power discreetly; and, with the blessing of God and his Saints, I have no fear of the result.

"Write to me, my child, when Teresa arrives--and let me hear that you are happier, and better in health. Tell me also, whether there is any speedy prospect of your marriage. If I may presume to judge from the little I know, your dearest earthly interests depend on the removal of obstacles to this salutary change in your life. I send you my good wishes, and my blessing. If a poor old priest like me can be of any service, do not forget.

"FATHER PATRIZIO."

Any lingering hesitation that Carmina might still have felt, was at an end when she read this letter. Good Father Patrizio, like good Mr. Mool, had innocently urged her to set her guardian's authority at defiance.

When the morning lessons were over, Carmina showed the priest's letter to Miss Minerva. The governess read it, and handed it back in silence.

"Have you nothing to say?" Carmina asked.

"Nothing. You know my opinion already. That letter says what I have said--with greater authority."

"It has determined me to follow your advice, Frances."

"Then it has done well."

"And you see," Carmina continued, "that Father Patrizio speaks of obstacles in the way of my marriage. Teresa has evidently shown him my letters. Do you think he fears, as I do, that my aunt may find some means of separating us, even when Ovid comes back?"

"Very likely."

She spoke in faint weary tones--listlessly leaning back in her chair. Carmina asked if she had passed another sleepless night.

"Yes," she said, "another bad night, and the usual martyrdom in teaching the children. I don't know which disgusts me most--Zoe's impudent stupidity, or Maria's unendurable humbug."

She had never yet spoken of Maria in this way. Even her voice seemed to be changed. Instead of betraying the usual angry abruptness, her tones coldly indicated impenetrable contempt. In the silence that ensued, she looked up, and saw Carmina's eyes resting on her anxiously and kindly.

"Any other human being but you," she said, "would find me disagreeable and rude--and would be quite right, too. I haven't asked after your health. You look paler than usual. Have you, too, had a bad night?"

"I fell asleep towards the morning. And--oh, I had such a delightful dream! I could almost wish that I had never awakened from it."

"Who did you dream of?" She put the question mechanically--frowning, as if at some repellent thought suggested to her by what she had just heard.

"I dreamed of my mother," Carmina answered.

Miss Minerva raised herself at once in the chair. Whatever that passing impression might have been, she was free from it now. There was some little life again in her eyes; some little spirit in her voice. "Take me out of myself," she said; "tell me your dream."

"It is nothing very remarkable, Frances. We all of us sometimes see our dear lost ones in sleep. I saw my mother again, as I used to see her in the nursery at bedtime--tall and beautiful, with her long dark hair failing over her white dressing-gown to the waist. She stooped over me, and kissed me; and she looked surprised. She said, 'My little angel, why are you here in a strange house? I have come to take you back to your own cot, by my bedside.' I wasn't surprised or frightened; I put my arms round her neck; and we floated away together through the cool starry night; and we were at home again. I saw my cot, with its pretty white curtains and pink ribbons. I heard my mother tell me an English fairy story, out of a book which my father had given to her--and her kind voice grew fainter and fainter, while I grew more and more sleepy--and it ended softly, just as it used to end in the happy old days. And I woke, crying. Do you ever dream of your mother now?"

"I? God forbid!"

"Oh, Frances, what a dreadful thing to say!"

"Is it? It was the thought in me, when you spoke. And with good reason, too. I was the last of a large family--the ugly one; the ill-tempered one; the encumbrance that made it harder than ever to find money enough to pay the household expenses. My father swore at my mother for being my mother. She reviled him just as bitterly in return; and vented the rest of her ill-temper on my wretched little body, with no sparing hand. Bedtime was her time for beating me. Talk of your mother--not of mine! You were very young, were you not, when she died?"

"Too young to feel my misfortune--but old enough to remember the sweetest woman that ever lived. Let me show you my father's portrait of her again. Doesn't that face tell you what an angel she was? There was some charm in her that all children felt. I can just remember some of my playfellows who used to come to our garden. Other good mothers were with us--but the children all crowded round my mother. They would have her in all their games; they fought for places on her lap when she told them stories; some of them cried, and some of them screamed, when it was time to take them away from her. Oh, why do we live! why do we die! I have bitter thoughts sometimes, Frances, like you. I have read in poetry that death is a fearful thing. To me, death is a cruel thing,--and it has never seemed so cruel as in these later days, since I have known Ovid. If my mother had but lived till now, what happiness would have been added to my life and to hers! How Ovid would have loved her--how she would have loved Ovid!"

Miss Minerva listened in silence. It was the silence of true interest and sympathy, while Carmina was speaking of her mother. When her lover's name became mingled with the remembrances of her childhood--the change came. Once more, the tell-tale lines began to harden in the governess's face. She lay back again in her chair. Her fingers irritably platted and unplatted the edge of her black apron.

Carmina was too deeply absorbed in her thoughts, too eagerly bent on giving them expression, to notice these warning signs.

"I have all my mother's letters to my father," she went on, "when he was away from her on his sketching excursions, You have still a little time to spare--I should so like to read some of them to you. I was reading one, last night--which perhaps accounts for my dream? It is on a subject that interests everybody. In my father's absence, a very dear friend of his met with a misfortune; and my mother had to prepare his wife to hear the bad news--oh, that reminds me! There is something I want to say to you first."

"About yourself?" Miss Minerva asked.

"About Ovid. I want your advice."

Miss Minerva was silent. Carmina went on. "It's about writing to Ovid," she explained.

"Write, of course!"

The reply was suddenly and sharply given. "Surely, I have not offended you?" Carmina said.

"Nonsense! Let me hear your mother's letter."

"Yes--but I want you to hear the circumstances first."

"You have mentioned them already."

"No! no! I mean the circumstances, in my case." She drew her chair closer to Miss Minerva. "I want to whisper--for fear of somebody passing on the stairs. The more I think of it, the more I feel that I ought to prepare Ovid for seeing me, before I make my escape. You said when we talked of it--"

"Never mind what I said."

"Oh, but I do mind! You said I could go to Ovid's bankers at Quebec, and then write when I knew where he was. I have been thinking over it since--and I see a serious risk. He might return from his inland journey, on the very day that I get there; he might even meet me in the street. In his delicate health--I daren't think of what the consequences of such a surprise might be! And then there is the dreadful necessity of telling him, that his mother has driven me into taking this desperate step. In my place, wouldn't you feel that you could do it more delicately in writing?"

"I dare say!"

"I might write to-morrow, for instance. To-morrow is one of the American mail days. My letter would get to Canada (remembering the roundabout way by which Teresa and I are to travel, for fear of discovery), days and days before we could arrive. I should shut myself up in an hotel at Quebec; and Teresa could go every day to the bank, to hear if Ovid was likely to send for his letters, or likely to call soon and ask for them. Then he would be prepared. Then, when we meet--!"

The governess left her chair, and pointed to the clock.

Carmina looked at her--and rose in alarm. "Are you in pain?" she asked.

"Yes--neuralgia, I think. I have the remedy in my room. Don't keep me, my dear. Mrs. Gallilee mustn't find me here again."

The paroxysm of pain which Carmina had noticed, passed over her face once more. She subdued it, and left the room. The pain mastered her again; a low cry broke from her when she closed the door. Carmina ran out: "Frances! what is it?" Frances looked over her shoulder, while she slowly ascended the stairs. "Never mind!" she said gently. "I have got my remedy."

Carmina advanced a step to follow her, and drew back.

Was that expression of suffering really caused by pain of the body? or was it attributable to anything that she had rashly said? She tried to recall what had passed between Frances and herself. The effort wearied her. Her thoughts turned self-reproachfully to Ovid. If he had been speaking to a friend whose secret sorrow was known to him, would he have mentioned the name of the woman whom they both loved? She looked at his portrait, and reviled herself as a selfish insensible wretch. "Will Ovid improve me?" she wondered. "Shall I be a little worthier of him, when I am his wife?"

Luncheon time came; and Mrs. Gallilee sent word that they were not to wait for her.

"She's studying," said Mr. Gallilee, with awe-struck looks. "She's going to make a speech at the Discussion to-morrow. The man who gives the lecture is the man she's going to pitch into. I don't know him; but how do you feel about it yourself, Carmina?--I wouldn't stand in his shoes for any sum of money you could offer me. Poor devil! I beg your pardon, my dear; let me give you a wing of the fowl. Boiled fowl--eh? and tongue--ha? Do you know the story of the foreigner? He dined out fifteen times with his English friends. And there was boiled fowl and tongue at every dinner. The fifteenth time, the foreigner couldn't stand it any longer. He slapped his forehead, and he said, 'Ah, merciful Heaven, cock and bacon again!' You won't mention it, will you?--and perhaps you think as I do?--I'm sick of cock and bacon, myself."

Mr. Null's medical orders still prescribed fresh air. The carriage came to the door at the regular hour; and Mr. Gallilee, with equal regularity, withdrew to his club.

Carmina was too uneasy to leave the house, without seeing Miss Minerva first. She went up to the schoolroom.

There was no sound of voices, when she opened the door. Miss Minerva was writing, and silence had been proclaimed. The girls were ready dressed for their walk. Industrious Maria had her book. Idle Zo, perched on a high chair, sat kicking her legs. "If you say a word," she whispered, as Carmina passed her, "you'll be called an Imp, and stuck up on a chair. I shall go to the boy."

"Are you better, Frances?"

"Much better, my dear."

Her face denied it; the look of suffering was there still. She tore up the letter which she had been writing, and threw the fragments into the waste-paper basket.

"That's the second letter you've torn up," Zo remarked.

"Say a word more--and you shall have bread and water for tea!" Miss Minerva was not free from irritation, although she might be free from pain. Even Zo noticed how angry the governess was.

"I wish you could drive with me in the carriage," said Carmina. "The air would do you so much good."

"Impossible! But you may soothe my irritable nerves in another way, if you like."

"How?"

"Relieve me of these girls. Take them out with you. Do you mind?"

Zo instantly jumped off her chair; and even Maria looked up from her book.

"I will take them with pleasure. Must we ask my aunt's permission?"

"We will dispense with your aunt's permission. She is shut up in her study--and we are all forbidden to disturb her. I will take it on myself." She turned to the girls with another outbreak of irritability. "Be off!"

Maria rose with dignity, and made one of her successful exits. "I am sorry, dear Miss Minerva, if I have done anything to make you angry." She pointed the emphasis on "I," by a side-look at her sister. Zo bounced out of the room, and performed the Italian boy's dance on the landing. "For shame!" said Maria. Zo burst into singing. "Yah yah-yah-bellah-vitah-yah! Jolly! jolly! jolly!--we are going out for a drive!"

Carmina waited, to say a friendly word, before she followed the girls.

"You didn't think me neglectful, Frances, when I let you go upstairs by yourself!" Miss Minerva answered sadly and kindly. "The best thing you could do was to leave me by myself."

Carmina's mind was still not quite at ease. "Yes--but you were in pain," she said.

"You curious child! I am not in pain now."

"Will you make me comfortable, Frances? Give me a kiss."

"Two, my dear--if you like."

She kissed Carmina on one cheek and on the other. "Now leave me to write," she said.

Carmina left her.

The drive ought to have been a pleasant one, with Zo in the carriage. To Marceline, it was a time of the heartiest enjoyment. Maria herself condescended to smile, now and then. There was only one dull person among them. "Miss Carmina was but poor company," the maid remarked when they got back.

Mrs. Gallilee herself received them in the hall.

"You will never take the children out again without my leave," she said to Carmina. "The person who is really responsible for what you have done, will mislead you no more." With those words she entered the library, and closed the door.

Maria and Zo, at the sight of their mother, had taken flight. Carmina stood alone in the hall. Mrs. Gallilee had turned her cold. After awhile, she followed the children as far as her own room. There, her resolution failed her. She called faintly upstairs--"Frances!" There was no answering voice. She went into her room. A small paper packet was on the table; sealed, and addressed to herself. She tore it open. A ring with a spinel ruby in it dropped out: she recognised the stone--it was Miss Minerva's ring.

Some blotted lines were traced on the paper inside.

"I have tried to pour out my heart to you in writing--and I have torn up the letters. The fewest words are the best. Look back at my confession--and you will know why I have left you. You shall hear from me, when I am more worthy of you than I am now. In the meantime, wear my ring. It will tell you how mean I once was. F. M."

Carmina looked at the ring. She remembered that Frances had tried to make her accept it as security, in return for the loan of thirty pounds.

She referred to the confession. Two passages in it were underlined: "The wickedness in me, on which Mrs. Gallilee calculated, may be in me still." And, again: "Even now, when you have found me out, I love him. Don't trust me."

Never had Carmina trusted her more faithfully than at that bitter moment!

The ordinary aspect of the schoolroom was seen no more.

Installed in a position of temporary authority, the parlour-maid sat silently at her needlework. Maria stood by the window, in the new character of an idle girl--with her handkerchief in her hand, and her everlasting book dropped unnoticed on the floor. Zo lay flat on her back, on the hearth-rug, hugging the dog in her arms. At intervals, she rolled herself over slowly from side to side, and stared at the ceiling with wondering eyes. Miss Minerva's departure had struck the parlour-maid dumb, and had demoralized the pupils.

Maria broke the silence at last. "I wonder where Carmina is?" she said.

"In her room, most likely," the parlour-maid suggested.

"Had I better go and see after her?"

The cautious parlour-maid declined to offer advice. Maria's well-balanced mind was so completely unhinged, that she looked with languid curiosity at her sister. Zo still stared at the ceiling, and still rolled slowly from one side to the other. The dog on her breast, lulled by the regular motion, slept profoundly--not even troubled by a dream of fleas!

While Maria was still considering what it might be best to do, Carmina entered the room. She looked, as the servant afterwards described it, "like a person who had lost her way." Maria exhibited the feeling of the schoolroom, by raising her handkerchief in solemn silence to her eyes. Without taking notice of this demonstration, Carmina approached the parlour-maid, and said, "Did you see Miss Minerva before she went away?"

"I took her message, Miss."

"What message?"

"The message, saying she wished to see my mistress for a few minutes."

"Well?"

"Well, Miss, I was told to show the governess into the library. She went down with her bonnet on, ready dressed to go out. Before she had been five minutes with my mistress she came out again, and rang the hall-bell, and spoke to Joseph. 'My boxes are packed and directed,' she says; 'I will send for them in an hour's time. Good day, Joseph.' And she stepped into the street, as quietly as if she was going out shopping round the corner."

"Have the boxes been sent for?"

"Yes, Miss."

Carmina lifted her head, and spoke in steadier tones.

"Where have they been taken to?"

"To the flower-shop at the back--to be kept till called for."

"No other address?"

"None."

The last faint hope of tracing Frances was at an end. Carmina turned wearily to leave the room. Zo called to her from the hearth-rug. Always kind to the child, she retraced her steps. "What is it?" she asked.

Zo got on her legs before she spoke, like a member of parliament. "I've been thinking about that governess," she announced. "Didn't I once tell you I was going to run away? And wasn't it because of Her? Hush! Here's the part of it I can't make out--She's run away from Me. I don't bear malice; I'm only glad in myself. No more dirty nails. No more bread and water for tea. That's all. Good morning." Zo laid herself down again on the rug; and the dog laid himself down again on Zo.

Carmina returned to her room--to reflect on what she had heard from the parlour-maid.

It was now plain that Mrs. Gallilee had not been allowed the opportunity of dismissing her governess at a moment's notice: Miss Minerva's sudden departure was unquestionably due to Miss Minerva herself.

Thus far, Carmina was able to think clearly--and no farther. The confused sense of helpless distress which she had felt, after reading the few farewell words that Frances had addressed to her, still oppressed her mind. There were moments when she vaguely understood, and bitterly lamented, the motives which had animated her unhappy friend. Other moments followed, when she impulsively resented the act which had thrown her on her own resources, at the very time when she had most need of the encouragement that could be afforded by the sympathy of a firmer nature than her own. She began to doubt the steadiness of her resolution--without Frances to take leave of her, on the morning of the escape. For the first time, she was now tortured by distrust of Ovid's reception of her; by dread of his possible disapproval of her boldness; by morbid suspicion even of his taking his mother's part. Bewildered and reckless, she threw herself on the sofa--her heart embittered against Frances--indifferent whether she lived or died.

At dinner-time she sent a message, begging to be excused from appearing at the table. Mrs. Gallilee at once presented herself, harder and colder than ever, to inspect the invalid. Perceiving no immediate necessity for summoning Mr. Null, she said, "Ring, if you want anything," and left the room.

Mr. Gallilee followed, after an interval, with a little surreptitious offering of wine (hidden under his coat); and with a selection of tarts crammed into his pocket.

"Smuggled goods, my dear," he whispered, "picked up when nobody happened to be looking my way. When we are miserable--has the idea ever occurred to you?--it's a sign from kind Providence that we are intended to eat and drink. The sherry's old, and the pastry melts in your mouth. Shall I stay with you? You would rather not? Just my feeling! Remarkable similarity in our opinions--don't you think so yourself? I'm sorry for poor Miss Minerva. Suppose you go to bed?"

Carmina was in no mood to profit by this excellent advice.

She was still walking restlessly up and down her room, when the time came for shutting up the house. With the sound of closing locks and bolts, there was suddenly mingled a sharp ring at the bell; followed by another unexpected event. Mr. Gallilee paid her a second visit--in a state of transformation. His fat face was flushed: he positively looked as if he was capable of feeling strong emotion, unconnected with champagne and the club! He presented a telegram to Carmina--and, when he spoke, there were thrills of agitation in the tones of his piping voice.

"My dear, something very unpleasant has happened. I met Joseph taking this to my wife. Highly improper, in my opinion,--what do you say yourself?--to take it to Mrs. Gallilee, when it's addressed to you. It was no mistake; he was so impudent as to say he had his orders. I have reproved Joseph." Mr. Gallilee looked astonished at himself, when he made this latter statement--then relapsed into his customary sweetness of temper. "No bad news?" he asked anxiously, when Carmina opened the telegram.

"Good news! the best of good news!" she answered impetuously.

Mr. Gallilee looked as happy as if the welcome telegram had been addressed to himself. On his way out of the room, he underwent another relapse. The footman's audacious breach of trust began to trouble him once more: this time in its relation to Mrs. Gallilee. The serious part of it was, that the man had acted under his mistress's orders. Mr. Gallilee said--he actually said, without appealing to anybody--"If this happens again, I shall be obliged to speak to my wife."

The telegram was from Teresa. It had been despatched from Paris that evening; and the message was thus expressed:

"Too tired to get on to England by to-night's mail. Shall leave by the early train to-morrow morning, and be with you by six o'clock."

Carmina's mind was exactly in the state to feel unmingled relief, at the prospect of seeing the dear old friend of her happiest days. She laid her head on the pillow that night, without a thought of what might follow the event of Teresa's return.

VOLUME THREE

The next day--the important Tuesday of the lecture on Matter; the delightful Tuesday of Teresa's arrival--brought with it special demands on Carmina's pen.

Her first letter was addressed to Frances. It was frankly and earnestly written; entreating Miss Minerva to appoint a place at which they might meet, and assuring her, in the most affectionate terms, that she was still loved, trusted, and admired by her faithful friend. Helped by her steadier flow of spirits, Carmina could now see all that was worthiest of sympathy and admiration, all that claimed loving submission and allowance from herself, in the sacrifice to which Miss Minerva had submitted. How bravely the poor governess had controlled the jealous misery that tortured her! How nobly she had pronounced Carmina's friendship for Carmina's sake!

Later in the day, Marceline took the letter to the flower shop, and placed it herself under the cord of one of the boxes still waiting to be claimed.

The second letter filled many pages, and occupied the remainder of the morning.

With the utmost delicacy, but with perfect truthfulness at the same time, Carmina revealed to her betrothed husband the serious reasons which had forced her to withdraw herself from his mother's care. Bound to speak at last in her own defence, she felt that concealments and compromises would be alike unworthy of Ovid and of herself. What she had already written to Teresa, she now wrote again--with but one modification. She expressed herself forbearingly towards Ovid's mother. The closing words of the letter were worthy of Carmina's gentle, just, and generous nature.

"You will perhaps say, Why do I only hear now of all that you have suffered? My love, I have longed to tell you of it! I have even taken up my pen to begin. But I thought of you, and put it down again. How selfish, how cruel, to hinder your recovery by causing you sorrow and suspense to bring you back perhaps to England before your health was restored! I don't regret the effort that it has cost me to keep silence. My only sorrow in writing to you is, that I must speak of your mother in terms which may lower her in her son's estimation."

Joseph brought the luncheon up to Carmina's room.

The mistress was still at her studies; the master had gone to his club. As for the girls, their only teacher for the present was the teacher of music. When the ordeal of the lecture and the discussion had been passed, Mrs. Gallilee threatened to take Miss Minerva's place herself, until a new governess could be found. For once, Maria and Zo showed a sisterly similarity in their feelings. It was hard to say which of the two looked forward to her learned mother's instruction with the greatest terror.

Carmina heard the pupils at the piano, while she was eating her luncheon. The profanation of music ceased, when she went into the bedroom to get ready for her daily drive.

She took her letter, duly closed and stamped, downstairs with her--to be sent to the post with the other letters of the day, placed in the hall-basket. In the weakened state of her nerves, the effort that she had made in writing to Ovid had shaken her. Her heart beat uneasily; her knees trembled, as she descended the stairs.

Arrived in sight of the hall, she discovered a man walking slowly to and fro. He turned towards her as she advanced, and disclosed the detestable face of Mr. Le Frank.

The music-master's last reserves of patience had come to an end. Watch for them as he might, no opportunities had presented themselves of renewing his investigation in Carmina's room. In the interval that had passed, his hungry suspicion of her had been left to feed on itself. The motives for that incomprehensible attempt to make a friend of him remained hidden in as thick a darkness as ever. Victim of adverse circumstances, he had determined (with the greatest reluctance) to take the straightforward course. Instead of secretly getting his information from Carmina's journals and letters, he was now reduced to openly applying for enlightenment to Carmina herself.

Occupying, for the time being, the position of an honourable man, he presented himself at cruel disadvantage. He was not master of his own glorious voice; he was without the self-possession indispensable to the perfect performance of his magnificent bow. "I have waited to have a word with you," he began abruptly, "before you go out for your drive."

Already unnerved, even before she had seen him--painfully conscious that she had committed a serious error, on the last occasion when they had met, in speaking at all--Carmina neither answered him nor looked at him. She bent her head confusedly, and advanced a little nearer to the house door.

He at once moved so as to place himself in her way.

"I must reque